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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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The Vendramin Family
mk170
1545-1547
Oil on canvas
206.1x288.5cm
Painting ID:: 43064
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The_Vendramin_Family
mk170
1545-1547
Oil on canvas
206.1x288.5cm
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The Death of Actaeon
mk170
circa 1570-1576
Oil on canvas
178.8x197.8cm
Painting ID:: 43067
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The_Death_of_Actaeon
mk170
circa 1570-1576
Oil on canvas
178.8x197.8cm
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Venus of Urbino
mk176
1538
119.3x165.1cm
Painting ID:: 44900
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Venus_of_Urbino
mk176
1538
119.3x165.1cm
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The Bacchanal of the Andrians
mk176
c.1522-23
Oil on canvas
175.2x193cm
Painting ID:: 44905
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The_Bacchanal_of_the_Andrians
mk176
c.1522-23
Oil on canvas
175.2x193cm
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Sacred and Profanc Love
mk176
1515
Oil on canvas
119.3x279.4cm
Painting ID:: 44906
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Sacred_and_Profanc_Love
mk176
1515
Oil on canvas
119.3x279.4cm
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Titian
Italian High Renaissance Painter, ca.1485-1576
Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516 ?C 18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520 ?C 23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa (c. 1559 ?C 62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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