Oil Painting Artist::. James Ensor

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     James Ensor
    Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.

James Ensor The Bad Doctors oil painting artist
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The Bad Doctors
mk126 1892 Beginng in the 1890s,Ensor produced a number of Satirical paintings that mocked Belgium-s professional middld class-judges.

     Painting ID::  37533
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Bad_Doctors
mk126 1892 Beginng in the 1890s,Ensor produced a number of Satirical paintings that mocked Belgium-s professional middld class-judges.

James Ensor The Dangerous Cooks oil painting artist
 Click Image to Enlarge
The Dangerous Cooks
mk126 1896 Ensor made two studies for this painting,a pastel drawing and a gouache on cardboard.

     Painting ID::  37534
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Dangerous_Cooks
mk126 1896 Ensor made two studies for this painting,a pastel drawing and a gouache on cardboard.

James Ensor Mr.and Mrs.Rousseau Speaking with Sophie Yoteko oil painting artist
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Mr.and Mrs.Rousseau Speaking with Sophie Yoteko
mk126 1892 This small painting is a truly puzzing work.

     Painting ID::  37535
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Mr.and_Mrs.Rousseau_Speaking_with_Sophie_Yoteko
mk126 1892 This small painting is a truly puzzing work.

James Ensor The Gendarmes oil painting artist
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The Gendarmes
mk126 1892 The Gendarmes,painted in 1892,provides an intriguing example of how Ensor deployed his own engaged and expressive individaualism as a vehicle for social critique.

     Painting ID::  37536
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Gendarmes
mk126 1892 The Gendarmes,painted in 1892,provides an intriguing example of how Ensor deployed his own engaged and expressive individaualism as a vehicle for social critique.

James Ensor Doctrinaire Nourishment oil painting artist
 Click Image to Enlarge
Doctrinaire Nourishment
mk126 1889 Ensor exhibited

     Painting ID::  37537
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Doctrinaire_Nourishment
mk126 1889 Ensor exhibited

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     James_Ensor
    Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.

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