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James Ensor
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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My Dead mother
mk126
1915
Ensor was already fifty-five years old in 1915 when his mother did.
Painting ID:: 37523
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My_Dead_mother
mk126
1915
Ensor was already fifty-five years old in 1915 when his mother did.
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My Dead Aunt
mk126
1916
One year after the death of Ensor-s Mother came that of her sister.
Painting ID:: 37524
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My_Dead_Aunt
mk126
1916
One year after the death of Ensor-s Mother came that of her sister.
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The Droll Smokers
mk126
1920
Almost everyone,Even the skulls,appears to be smoking in the painting.
Painting ID:: 37525
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The_Droll_Smokers
mk126
1920
Almost everyone,Even the skulls,appears to be smoking in the painting.
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The Pisser
mk126
1887
This Etching is also known under the title.
Painting ID:: 37526
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The_Pisser
mk126
1887
This Etching is also known under the title.
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Strange Insects
mk126
1888
Here,Ensor Depicts himself as a beetle,and Mariette Rousseau,His Friend-s Wife whom he much admired,as a dragonfly
Painting ID:: 37527
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Strange_Insects
mk126
1888
Here,Ensor Depicts himself as a beetle,and Mariette Rousseau,His Friend-s Wife whom he much admired,as a dragonfly
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James_Ensor
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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