Oil Painting Artist::. Canaletto

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     Canaletto
    Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

Canaletto The Piazzetta to the South f oil painting artist
 Click Image to Enlarge
The Piazzetta to the South f
1720s Drawing Royal Collection, Windsor

     Painting ID::  5669
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Piazzetta_to_the_South_f
1720s Drawing Royal Collection, Windsor

Canaletto The Grand Canal Seen from Rialto toward the North ff oil painting artist
 Click Image to Enlarge
The Grand Canal Seen from Rialto toward the North ff
1725 Pen and brown ink on paper Private collection

     Painting ID::  5670
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Grand_Canal_Seen_from_Rialto_toward_the_North_ff
1725 Pen and brown ink on paper Private collection

Canaletto The Grand Canal near the Ponte del Rialto f oil painting artist
 Click Image to Enlarge
The Grand Canal near the Ponte del Rialto f
c. 1725 Pen and brown ink with red and black chalk on paper Ashmolean Museum, Oxford

     Painting ID::  5671
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Grand_Canal_near_the_Ponte_del_Rialto_f
c. 1725 Pen and brown ink with red and black chalk on paper Ashmolean Museum, Oxford

Canaletto The Piazzetta Looking towards S. Maria della Salute ff oil painting artist
 Click Image to Enlarge
The Piazzetta Looking towards S. Maria della Salute ff
1725-30 Pen and ink over pencil, 233 x 182 mm Royal Collection, Windsor

     Painting ID::  5672
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Piazzetta_Looking_towards_S._Maria_della_Salute_ff
1725-30 Pen and ink over pencil, 233 x 182 mm Royal Collection, Windsor

Canaletto The Piazzetta Looking towards the Torre dell Orologio oil painting artist
 Click Image to Enlarge
The Piazzetta Looking towards the Torre dell Orologio
1725-30 Pen and ink over pencil, 234 x 180 mm Royal Collection, Windsor

     Painting ID::  5673
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Piazzetta_Looking_towards_the_Torre_dell_Orologio
1725-30 Pen and ink over pencil, 234 x 180 mm Royal Collection, Windsor

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     Canaletto
    Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

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