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Henri Fantin-Latour
French 1836-1904
Henri Fantin Latour Locations
Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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Stilleben mit Pfirsischen
1880(1880)
Oil on canvas
26 ?? 35 cm (10.2 ?? 13.8 in)
cjr
Painting ID:: 77194
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Stilleben_mit_Pfirsischen
1880(1880)
Oil on canvas
26 ?? 35 cm (10.2 ?? 13.8 in)
cjr
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White Roses
White Roses, by Henri Fantin-Latour (1836-1905); York Art Gallery, York, UK
1875(1875)
Painting ID:: 77499
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White_Roses
White Roses, by Henri Fantin-Latour (1836-1905); York Art Gallery, York, UK
1875(1875)
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Rosas blancas
1887(1887)
Oil on canvas
55.5 ?? 70 cm (21.9 ?? 27.6 in)
cjr
Painting ID:: 77741
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Rosas_blancas
1887(1887)
Oil on canvas
55.5 ?? 70 cm (21.9 ?? 27.6 in)
cjr
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Still Life Glass, Silver Goblet and Cup of Champagne
"Still Life Glass, Silver Goblet and Cup of Champagne" by Henri Fantin-Latour
1871(1871)
cjr
Painting ID:: 77742
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Still_Life_Glass,_Silver_Goblet_and_Cup_of_Champagne
"Still Life Glass, Silver Goblet and Cup of Champagne" by Henri Fantin-Latour
1871(1871)
cjr
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Vase of Peonies
1881(1881)
Oil on canvas
cjr
Painting ID:: 77744
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Vase_of_Peonies
1881(1881)
Oil on canvas
cjr
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Henri_Fantin-Latour
French 1836-1904
Henri Fantin Latour Locations
Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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