Oil Painting Artist::. Carel Fabritus

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     Carel Fabritus
    1622-1654 Dutch Carel Fabritus Locations Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius late works in which his use of cool silvery colours to define forms in space marks a radical departure from Rembrandt use of chiaroscuro.

Carel Fabritus Self Portrait  li oil painting artist
 Click Image to Enlarge
Self Portrait li
Museum Boymans van Beuningen, Rotterdam

     Painting ID::  1186
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self_Portrait__li
Museum Boymans van Beuningen, Rotterdam

Carel Fabritus The Goldfinch oil painting artist
 Click Image to Enlarge
The Goldfinch
1654 Mauritshuis, The Hague

     Painting ID::  1187
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Goldfinch
1654 Mauritshuis, The Hague

Carel Fabritus The Beheading of John the Baptist oil painting artist
 Click Image to Enlarge
The Beheading of John the Baptist
Rijksmuseum, Amsterdam

     Painting ID::  1188
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Beheading_of_John_the_Baptist
Rijksmuseum, Amsterdam

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     Carel_Fabritus
    1622-1654 Dutch Carel Fabritus Locations Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius late works in which his use of cool silvery colours to define forms in space marks a radical departure from Rembrandt use of chiaroscuro.

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