Oil Painting Artist::. Francesco Hayez

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     Francesco Hayez
    1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

Francesco Hayez Portrat der Prinzessin di Sant' Antimo oil painting artist
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Portrat der Prinzessin di Sant' Antimo
1840-1844 Oil on canvas 117 ?? 89 cm (46.1 ?? 35 in) cjr

     Painting ID::  77427
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrat_der_Prinzessin_di_Sant'_Antimo
1840-1844 Oil on canvas 117 ?? 89 cm (46.1 ?? 35 in) cjr

Francesco Hayez The Two Foscari: Francesco Foscari, Doge of Venice banishing his son Jacopo on the charge of treasonable correspondence while in exile oil painting artist
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The Two Foscari: Francesco Foscari, Doge of Venice banishing his son Jacopo on the charge of treasonable correspondence while in exile
The Two Foscari: Francesco Foscari, Doge of Venice (c. 1372-1457) banishing his son Jacopo on the charge of treasonable correspondence while in exile; subject of Bryon's poetic drama 'The Two Foscari'" The Two Foscari (Title by WGA) ca. 1852(1852) Oil on canvas 168 cm (66.1 in). Height: 121 cm (47.6 in). cjr

     Painting ID::  77505
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Two_Foscari:_Francesco_Foscari,_Doge_of_Venice_banishing_his_son_Jacopo_on_the_charge_of_treasonable_correspondence_while_in_exile
The Two Foscari: Francesco Foscari, Doge of Venice (c. 1372-1457) banishing his son Jacopo on the charge of treasonable correspondence while in exile; subject of Bryon's poetic drama 'The Two Foscari'" The Two Foscari (Title by WGA) ca. 1852(1852) Oil on canvas 168 cm (66.1 in). Height: 121 cm (47.6 in). cjr

Francesco Hayez Flowers oil painting artist
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Flowers
1st half of 19th century Oil on canvas Width: 95 cm (37.4 in). Height: 124 cm (48.8 in). cjr

     Painting ID::  79159
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Flowers
1st half of 19th century Oil on canvas Width: 95 cm (37.4 in). Height: 124 cm (48.8 in). cjr

Francesco Hayez Portrait of Teresa Borri oil painting artist
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Portrait of Teresa Borri
1847-1848 Medium Oil on canvas Dimensions 117 x 92 cm (46.1 x 36.2 in) cyf

     Painting ID::  79194
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Teresa_Borri
1847-1848 Medium Oil on canvas Dimensions 117 x 92 cm (46.1 x 36.2 in) cyf

Francesco Hayez Portrat der Prinzessin di Sant Antimo oil painting artist
 Click Image to Enlarge
Portrat der Prinzessin di Sant Antimo
1840-1844 Medium Oil on canvas Dimensions 117 x 89 cm (46.1 x 35 in) cyf

     Painting ID::  80752
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrat_der_Prinzessin_di_Sant_Antimo
1840-1844 Medium Oil on canvas Dimensions 117 x 89 cm (46.1 x 35 in) cyf

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     Francesco_Hayez
    1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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