Oil Painting Artist::. Canaletto

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     Canaletto
    Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

Canaletto Entrance to the Grand Canal: from the West End of the Molo  dd oil painting artist
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Entrance to the Grand Canal: from the West End of the Molo dd
1735-40 Oil on canvas, 114,5 x 153 cm National Gallery of Art, Washington

     Painting ID::  5623
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Entrance_to_the_Grand_Canal:_from_the_West_End_of_the_Molo__dd
1735-40 Oil on canvas, 114,5 x 153 cm National Gallery of Art, Washington

Canaletto The Brenta Canal at Padua dsf oil painting artist
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The Brenta Canal at Padua dsf
1735-40 Oil on canvas, 62,5 x 109 cm National Gallery of Art, Washington

     Painting ID::  5624
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Brenta_Canal_at_Padua_dsf
1735-40 Oil on canvas, 62,5 x 109 cm National Gallery of Art, Washington

Canaletto Grand Canal: Looking South-West f oil painting artist
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Grand Canal: Looking South-West f
c. 1738 Oil on canvas, 124 x 204 cm National Gallery, London

     Painting ID::  5625
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Grand_Canal:_Looking_South-West_f
c. 1738 Oil on canvas, 124 x 204 cm National Gallery, London

Canaletto Bacino di San Marco (St Mark s Basin) oil painting artist
 Click Image to Enlarge
Bacino di San Marco (St Mark s Basin)
1738-40 Oil on canvas, 125 x 204 cm Museum of Fine Arts, Boston

     Painting ID::  5626
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Bacino_di_San_Marco_(St_Mark_s_Basin)
1738-40 Oil on canvas, 125 x 204 cm Museum of Fine Arts, Boston

Canaletto The Grand Canal at the Salute Church d oil painting artist
 Click Image to Enlarge
The Grand Canal at the Salute Church d
1738-42 Oil on canvas, 121 x 151 cm Private collection, Zurich

     Painting ID::  5627
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Grand_Canal_at_the_Salute_Church_d
1738-42 Oil on canvas, 121 x 151 cm Private collection, Zurich

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     Canaletto
    Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

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