Oil Painting Artist::. Canaletto

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     Canaletto
    Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

Canaletto Grand Canal: from Santa Maria della Carit to the Bacino di San Marco d oil painting artist
 Click Image to Enlarge
Grand Canal: from Santa Maria della Carit to the Bacino di San Marco d
1730-33 Oil on canvas, 47,9 x 80 cm Royal Collection, Windsor

     Painting ID::  5603
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Grand_Canal:_from_Santa_Maria_della_Carit_to_the_Bacino_di_San_Marco_d
1730-33 Oil on canvas, 47,9 x 80 cm Royal Collection, Windsor

Canaletto A Regatta on the Grand Canal d oil painting artist
 Click Image to Enlarge
A Regatta on the Grand Canal d
c. 1732 Oil on canvas, 77 x 126 cm Royal Collection, Windsor

     Painting ID::  5604
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  A_Regatta_on_the_Grand_Canal_d
c. 1732 Oil on canvas, 77 x 126 cm Royal Collection, Windsor

Canaletto Return of the Bucentoro to the Molo on Ascension Day d oil painting artist
 Click Image to Enlarge
Return of the Bucentoro to the Molo on Ascension Day d
c. 1732 Oil on canvas, 77 x 126 cm Royal Collection, Windsor

     Painting ID::  5605
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Return_of_the_Bucentoro_to_the_Molo_on_Ascension_Day_d
c. 1732 Oil on canvas, 77 x 126 cm Royal Collection, Windsor

Canaletto Return of the Bucentoro to the Molo on Ascension Day (detail)  fd oil painting artist
 Click Image to Enlarge
Return of the Bucentoro to the Molo on Ascension Day (detail) fd
c. 1732 Oil on canvas Royal Collection, Windsor

     Painting ID::  5606
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Return_of_the_Bucentoro_to_the_Molo_on_Ascension_Day_(detail)__fd
c. 1732 Oil on canvas Royal Collection, Windsor

Canaletto Return of the Bucentoro to the Molo on Ascension Day (detail) d oil painting artist
 Click Image to Enlarge
Return of the Bucentoro to the Molo on Ascension Day (detail) d
c. 1732 Oil on canvas Royal Collection, Windsor

     Painting ID::  5607
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Return_of_the_Bucentoro_to_the_Molo_on_Ascension_Day_(detail)_d
c. 1732 Oil on canvas Royal Collection, Windsor

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Prev Artist       Next Artist     

     Canaletto
    Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

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