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Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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Portrait of the Marchesa Brigide Spinola-Doria (mk01)
C.1606
Oil on canvas;
155.2x98.7cm
60x38 7/8in
National Gallery of Art,
Washington,DC
Painting ID:: 20132
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Portrait_of_the_Marchesa_Brigide_Spinola-Doria_(mk01)
C.1606
Oil on canvas;
155.2x98.7cm
60x38 7/8in
National Gallery of Art,
Washington,DC
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Peter Paul and Pbilip Rubeens with their Friends or Mantuan Friendsship Portrait (mk01)
C.1602
Oil on canvas;
77.5x101cm
30 1/2x39 3/4in,
Wallraf-Richartz Museum
Cologne
Painting ID:: 20133
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Peter_Paul_and_Pbilip_Rubeens_with_their_Friends_or_Mantuan_Friendsship_Portrait_(mk01)
C.1602
Oil on canvas;
77.5x101cm
30 1/2x39 3/4in,
Wallraf-Richartz Museum
Cologne
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Charle V at Miihlberg (mk01)
1548
Oil on canvas;
332x279cm
130 5/8x109 7/8in
Museo del
Prado,Madrid
Painting ID:: 20134
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Charle_V_at_Miihlberg_(mk01)
1548
Oil on canvas;
332x279cm
130 5/8x109 7/8in
Museo del
Prado,Madrid
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The Duke of Lerma on Horseback (mk01)
1603
Oil on canvas;
289x205cm
113 3/4x80 5/8in
Museo del Prado,Madrid
Painting ID:: 20135
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The_Duke_of_Lerma_on_Horseback_(mk01)
1603
Oil on canvas;
289x205cm
113 3/4x80 5/8in
Museo del Prado,Madrid
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Marie de' Medici (mk01)
1609
Oil on canvas;
307x186cm
120 7/8x73 1/4in
Musee du Louvre,
Paris
Painting ID:: 20136
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Marie_de'_Medici_(mk01)
1609
Oil on canvas;
307x186cm
120 7/8x73 1/4in
Musee du Louvre,
Paris
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Peter_Paul_Rubens
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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