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Peter Paul Rubens
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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Portrait of a Man (MK01)
1597.
Rubens\\\' first signde and dated work,
Oil on copper;
21.6x14.6cm,
81 /2x5 3/4in
Metropolitan
Museum of Art,New York
Painting ID:: 20104
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Portrait_of_a_Man_(MK01)
1597.
Rubens\\\' first signde and dated work,
Oil on copper;
21.6x14.6cm,
81 /2x5 3/4in
Metropolitan
Museum of Art,New York
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Venus at the Mirror (MK01)
1613-14
Oil on panel;
124x98cm
Painting ID:: 20103
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Venus_at_the_Mirror_(MK01)
1613-14
Oil on panel;
124x98cm
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Portraits of (MK01)
BartbolomeusJacob Claesz,van Utrecht
Grandfatber of Peter Paul
Rubens and Barbara Arents,
Grandmotber of Peter Paul Rubens
1530
Oil on panel;
57x38cm
22 3/8x15in
Rubenshuis,Antwerp
Painting ID:: 20105
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Portraits_of_(MK01)
BartbolomeusJacob Claesz,van Utrecht
Grandfatber of Peter Paul
Rubens and Barbara Arents,
Grandmotber of Peter Paul Rubens
1530
Oil on panel;
57x38cm
22 3/8x15in
Rubenshuis,Antwerp
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The Entombment of Christ (mk01)
1603-4
Oil on canvas;
300x203cm,
118 1/8x79 7/8in,
Vatican
Museums,Rome
Painting ID:: 20127
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The_Entombment_of_Christ_(mk01)
1603-4
Oil on canvas;
300x203cm,
118 1/8x79 7/8in,
Vatican
Museums,Rome
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View of Antwerp witb the River (MK01)
ScbeldtAbel Grimmer and Hendrik van Balen ,
C.1600.
Oil on panel;
37x44cm
14 1/2x17 1/4in
Koninklijk
Museum voor
Schone Kunsten,Antwerp
Painting ID:: 20106
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View_of_Antwerp_witb_the_River_(MK01)
ScbeldtAbel Grimmer and Hendrik van Balen ,
C.1600.
Oil on panel;
37x44cm
14 1/2x17 1/4in
Koninklijk
Museum voor
Schone Kunsten,Antwerp
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Peter_Paul_Rubens
Flemish Baroque Era Painter, 1577-1640
Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.
Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635.
His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems.
His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
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