Oil Painting Artist::. Duccio di Buoninsegna

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     Duccio di Buoninsegna
    1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

Duccio di Buoninsegna Rucellai madonna oil painting artist
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Rucellai madonna
mk247 1285,tempera and gold on wood ,177X144 in ,450X290 cm,uffizi,florence,ltaly

     Painting ID::  55905
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Rucellai_madonna
mk247 1285,tempera and gold on wood ,177X144 in ,450X290 cm,uffizi,florence,ltaly

Duccio di Buoninsegna The marriage Feast at Cana oil painting artist
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The marriage Feast at Cana
1308,tempera on poplar Museo dell opera del duomo,siena,ltaly

     Painting ID::  55912
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_marriage_Feast_at_Cana
1308,tempera on poplar Museo dell opera del duomo,siena,ltaly

Duccio di Buoninsegna en helgonbiskop oil painting artist
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en helgonbiskop
mk248 sienaskolans malare bade en bapnadsvackande kansla for farg ocb var ocksa skickliga dekormalare, bade nar det gallde monster ocb guldapplikationer. kontrasten mellan utforandet av biskopens ansite ocb bans kladedrakt ar typiskt for den bysantinska stilen.

     Painting ID::  56572
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  en_helgonbiskop
mk248 sienaskolans malare bade en bapnadsvackande kansla for farg ocb var ocksa skickliga dekormalare, bade nar det gallde monster ocb guldapplikationer. kontrasten mellan utforandet av biskopens ansite ocb bans kladedrakt ar typiskt for den bysantinska stilen.

Duccio di Buoninsegna judaskyssen ocb bon pa oljeberget oil painting artist
 Click Image to Enlarge
judaskyssen ocb bon pa oljeberget
mk248 duccios maesta ar malat pa bada sidor. framsidan ar sjalva marsta, den tronande mafonnan med fesusbarnet, kront,kront av pannaer ocb en predella pa baksidan finns 26 scener ur kristi lidande, ursprungligen endast avsedda for prasterskaprts blivkar. scenerna kan lasas som en poetisl grafisk roman ocb demonstrerar den berattande konst som forknippas med sienaskolan, isynnerbet duccio. maesta monterades ner 1771 ocb stalldes upp igen pa tua separata altare. verket skadades svart, nagra av pannannaerna saldes till utlandet ocb andra forsvann belt ocb ballet

     Painting ID::  56573
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  judaskyssen_ocb_bon_pa_oljeberget
mk248 duccios maesta ar malat pa bada sidor. framsidan ar sjalva marsta, den tronande mafonnan med fesusbarnet, kront,kront av pannaer ocb en predella pa baksidan finns 26 scener ur kristi lidande, ursprungligen endast avsedda for prasterskaprts blivkar. scenerna kan lasas som en poetisl grafisk roman ocb demonstrerar den berattande konst som forknippas med sienaskolan, isynnerbet duccio. maesta monterades ner 1771 ocb stalldes upp igen pa tua separata altare. verket skadades svart, nagra av pannannaerna saldes till utlandet ocb andra forsvann belt ocb ballet

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     Duccio_di_Buoninsegna
    1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.

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