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Duccio di Buoninsegna
1255-1318
Italian Duccio di Buoninsegna Locations
Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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Maria and Child throning in majesty, hoofddpaneel of the Maesta, altar piece
MK169
1308-11 Panel 213x396cm
Museo dell-opera divide Duomo, Siena
Painting ID:: 42606
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Maria_and_Child_throning_in_majesty,_hoofddpaneel_of_the_Maesta,_altar_piece
MK169
1308-11 Panel 213x396cm
Museo dell-opera divide Duomo, Siena
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The third verloochening of Christ
MK169
detail of the Maesta 1308-11 Panel ca.49.5x54cm Museo dell-Opera
divide Duomo Siena
Painting ID:: 42607
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The_third_verloochening_of_Christ
MK169
detail of the Maesta 1308-11 Panel ca.49.5x54cm Museo dell-Opera
divide Duomo Siena
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St Magdalen
Wood,
44,2 x 29,1 cm
Painting ID:: 52074
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St_Magdalen
Wood,
44,2 x 29,1 cm
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Descent to Hell
1308-11
Tempera on wood,
51 x 53,5 cm
Painting ID:: 52127
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Descent_to_Hell
1308-11
Tempera on wood,
51 x 53,5 cm
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Appearence to Mary Magdalene
1308-11 Tempera on wood, 51 x 57 cm
Painting ID:: 52128
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Appearence_to_Mary_Magdalene
1308-11 Tempera on wood, 51 x 57 cm
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Duccio_di_Buoninsegna
1255-1318
Italian Duccio di Buoninsegna Locations
Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
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