Oil Painting Artist::. Jacopo Tintoretto

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     Jacopo Tintoretto
    1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

Jacopo Tintoretto Moses schlagt Wasser aus dem Felsen oil painting artist
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Moses schlagt Wasser aus dem Felsen
1577(1577) Medium oil on canvas Dimensions Deutsch: 554 X 526 cm cyf

     Painting ID::  92293
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Moses_schlagt_Wasser_aus_dem_Felsen
1577(1577) Medium oil on canvas Dimensions Deutsch: 554 X 526 cm cyf

Jacopo Tintoretto The Worship of the Golden Calf oil painting artist
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The Worship of the Golden Calf
oil on canvas 159.1 x 271.8 cm c. 1560(1560) cjr

     Painting ID::  92664
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Worship_of_the_Golden_Calf
oil on canvas 159.1 x 271.8 cm c. 1560(1560) cjr

Jacopo Tintoretto San Marco salva un saraceno durante un naufragio oil painting artist
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San Marco salva un saraceno durante un naufragio
between 1562(1562) and 1566(1566) Medium oil on canvas Dimensions 398 X 337 cm (156.7 X 132.7 in) cjr

     Painting ID::  92824
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  San_Marco_salva_un_saraceno_durante_un_naufragio
between 1562(1562) and 1566(1566) Medium oil on canvas Dimensions 398 X 337 cm (156.7 X 132.7 in) cjr

Jacopo Tintoretto Self-portrait oil painting artist
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Self-portrait
1588 Medium oil on canvas Dimensions 63 X 52 cm (24.8 X 20.5 in) cjr

     Painting ID::  92841
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-portrait
1588 Medium oil on canvas Dimensions 63 X 52 cm (24.8 X 20.5 in) cjr

Jacopo Tintoretto Self-portrait. oil painting artist
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Self-portrait.
1588 Medium oil on canvas Dimensions 63 X 52 cm (24.8 X 20.5 in) cjr

     Painting ID::  92844
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-portrait.
1588 Medium oil on canvas Dimensions 63 X 52 cm (24.8 X 20.5 in) cjr

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     Jacopo_Tintoretto
    1518-1594 Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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