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Jacopo Tintoretto
1518-1594
Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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Bacchus und Ariadne
1578(1578)
Medium Oil on canvas
Dimensions Deutsch: 146 x 157 cm
cjr
Painting ID:: 88216
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Bacchus_und_Ariadne
1578(1578)
Medium Oil on canvas
Dimensions Deutsch: 146 x 157 cm
cjr
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Der Hl. Georg und der Drachen
c. 1560
Medium Oil on canvas
Dimensions Deutsch: 158 x 100 cm
cjr
Painting ID:: 88677
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Der_Hl._Georg_und_der_Drachen
c. 1560
Medium Oil on canvas
Dimensions Deutsch: 158 x 100 cm
cjr
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Bergung des Leichnams des
between 1562(1562) and 1566(1566)
Medium Oil on canvas
cyf
Painting ID:: 88833
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Bergung_des_Leichnams_des
between 1562(1562) and 1566(1566)
Medium Oil on canvas
cyf
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The descent from the Cross
c. 1578-1580
Medium oil on canvas
cjr
Painting ID:: 89244
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The_descent_from_the_Cross
c. 1578-1580
Medium oil on canvas
cjr
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Die Himmelfahrt Christi
1578-1581
Medium oil on canvas
Dimensions Deutsch: 539 x 325 cm
cjr
Painting ID:: 90240
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Die_Himmelfahrt_Christi
1578-1581
Medium oil on canvas
Dimensions Deutsch: 539 x 325 cm
cjr
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Jacopo_Tintoretto
1518-1594
Italian painter. His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 ?C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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