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Michael Ancher
Danish Painter, 1849-1927
He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),
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fiskere i faerd med at saette en rorsbad i vandet
1881
se
Painting ID:: 64594
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fiskere_i_faerd_med_at_saette_en_rorsbad_i_vandet
1881
se
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redningsformand lars kruse
1882
Painting ID:: 64597
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redningsformand_lars_kruse
1882
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i kobmandens bod en vinterdag, nar der ikke fiskes
1891
Painting ID:: 64601
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i_kobmandens_bod_en_vinterdag,_nar_der_ikke_fiskes
1891
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portraet af min hustru
1884
den hirschsprungske samling
Painting ID:: 64617
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portraet_af_min_hustru
1884
den hirschsprungske samling
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born og unge piger plukker blomster pa en mark nord for skagen
1887
se
Painting ID:: 64626
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born_og_unge_piger_plukker_blomster_pa_en_mark_nord_for_skagen
1887
se
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Michael_Ancher
Danish Painter, 1849-1927
He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),
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