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Michael Ancher
Danish Painter, 1849-1927
He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),
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anna ancher vender hjem fra marken
1902
se
Painting ID:: 64439
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anna_ancher_vender_hjem_fra_marken
1902
se
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glade elsie
1904
se
Painting ID:: 64440
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glade_elsie
1904
se
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en strandpromenade
1896
forrest den unge ida holst, derefter anna holst, sammen med veninden elisabeth bang og sidst minna og sophie holst
se
Painting ID:: 64441
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en_strandpromenade
1896
forrest den unge ida holst, derefter anna holst, sammen med veninden elisabeth bang og sidst minna og sophie holst
se
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fire fiskere ved en bad pa skagens strand
privateje
Painting ID:: 64442
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fire_fiskere_ved_en_bad_pa_skagens_strand
privateje
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i kobmandens bad en vinterdag
nar der ikke fiskes,
1891
Painting ID:: 64443
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i_kobmandens_bad_en_vinterdag
nar der ikke fiskes,
1891
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Michael_Ancher
Danish Painter, 1849-1927
He studied at the Kongelige Akademi for de Sk?nne Kunster, Copenhagen (1871-5), where his teachers Wilhelm Marstrand and Frederik Vermehren encouraged his interest in genre painting. He first visited Skagen in 1874 and settled there in 1880, having found that subject-matter drawn from local scenery was conducive to his artistic temperament. In Will he Manage to Weather the Point? (1880; Copenhagen, Kon. Saml.) several fishermen stand on the shore, evidently watching a boat come in. The firmly handled composition focuses on the group of men (the boat itself is invisible); each figure is an individual portrait that captures a response to the moment. Ancher's skill at grouping large numbers of figures with heroic monumentality compensates for his lacklustre colour sense. A change in his use of colour is noticeable in the works produced after an influential visit to Vienna in 1882; he was deeply impressed by the Dutch Old Masters at the Kunsthistorisches Museum, especially the Vermeers. Their effect on his painting can be seen in the Sick Girl (1883),
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