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Giotto
Italian
1267-1337
Giotto Galleries
Giotto di Bondone (c. 1267 ?C January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance.
Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence."
The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years."
Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.
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St.Francis Receiving the stigmata
mk247
1297-99,fresco,106.75x90.5 in,270x230cm,
Painting ID:: 55907
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St.Francis_Receiving_the_stigmata
mk247
1297-99,fresco,106.75x90.5 in,270x230cm,
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Presentation of the VIrgin ar the Temple
mk247
1304-06,fresco,78.75x72.75 in,200x185 cm,cappella degli scrovegni,padua,ltaly
Painting ID:: 55908
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Presentation_of_the_VIrgin_ar_the_Temple
mk247
1304-06,fresco,78.75x72.75 in,200x185 cm,cappella degli scrovegni,padua,ltaly
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The Meeting at the Golden Gate
mk247
1304-06,fresco,79x73 in,200x185cm,capella degli scrovegni(arena chapel),padua,ltaly
Painting ID:: 55909
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The_Meeting_at_the_Golden_Gate
mk247
1304-06,fresco,79x73 in,200x185cm,capella degli scrovegni(arena chapel),padua,ltaly
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Noil me tangere
mk247
1304-06,fresco,78.5x72.5 in,200x185 cm,capella degli scrovegni(arena chapel),padua,ltaly
Painting ID:: 55910
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Noil_me_tangere
mk247
1304-06,fresco,78.5x72.5 in,200x185 cm,capella degli scrovegni(arena chapel),padua,ltaly
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The Betrayal of Christ
mk247
1304-06,fresco,79x73 in,200x185 cm,cappella degli scrovegni,padua,ltaly
Painting ID:: 55911
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The_Betrayal_of_Christ
mk247
1304-06,fresco,79x73 in,200x185 cm,cappella degli scrovegni,padua,ltaly
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Giotto
Italian
1267-1337
Giotto Galleries
Giotto di Bondone (c. 1267 ?C January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance.
Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence."
The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years."
Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.
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