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Giotto
Italian
1267-1337
Giotto Galleries
Giotto di Bondone (c. 1267 ?C January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance.
Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence."
The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years."
Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.
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The Raising of Drusiana,Cappella Peruzzi
mk83
c.1320
Painting ID:: 33252
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The_Raising_of_Drusiana,Cappella_Peruzzi
mk83
c.1320
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The wedding to Guns De arouse-king of Lazarus, De bewening of Christ and Noli me tangera
MK169
details of the
fresco decoration ca.1304-13 Scrovegni-chapel Padua
Painting ID:: 42608
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The_wedding_to_Guns_De_arouse-king_of_Lazarus,_De_bewening_of_Christ_and_Noli_me_tangera
MK169
details of the
fresco decoration ca.1304-13 Scrovegni-chapel Padua
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Bewening of Christ
MK169
detail of 9.80 Fresco 231x202cm
Painting ID:: 42609
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Bewening_of_Christ
MK169
detail of 9.80 Fresco 231x202cm
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The death of the knight of Celano
mk186
1297-1300 Assisi, San Francesco, waiter church
Painting ID:: 45498
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The_death_of_the_knight_of_Celano
mk186
1297-1300 Assisi, San Francesco, waiter church
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The Ascension
nn09
c.1305-13
Painting ID:: 51702
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The_Ascension
nn09
c.1305-13
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Giotto
Italian
1267-1337
Giotto Galleries
Giotto di Bondone (c. 1267 ?C January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance.
Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence."
The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years."
Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.
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