Oil Painting Artist::. Albrecht Durer

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     Albrecht Durer
    b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

Albrecht Durer The Wire-drawing Mill oil painting artist
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The Wire-drawing Mill
1489 Kupferstichkabinett, Berlin

     Painting ID::  1058
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Wire-drawing_Mill
1489 Kupferstichkabinett, Berlin

Albrecht Durer Wing of a Roller oil painting artist
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Wing of a Roller
1512 Graphische Sammlung, Albertina, Vienna

     Painting ID::  1059
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Wing_of_a_Roller
1512 Graphische Sammlung, Albertina, Vienna

Albrecht Durer Portrait of the Artist Holding an Erynganeum (mk05) oil painting artist
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Portrait of the Artist Holding an Erynganeum (mk05)
Parchment on canvas 22 1/2 x 17 1/2''(57 x 45 cm)Entered the Louvre in 1922 R.F.2382 (S/AR)

     Painting ID::  20959
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_the_Artist_Holding_an_Erynganeum_(mk05)
Parchment on canvas 22 1/2 x 17 1/2''(57 x 45 cm)Entered the Louvre in 1922 R.F.2382 (S/AR)

Albrecht Durer Portrait of Hieronymus Holzschuher (mk08) oil painting artist
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Portrait of Hieronymus Holzschuher (mk08)
1526 Oil on wood, 48x36cm Berlin,Gemaldegalerie, Statliche Museen zu Berlin-Preubischer Kultcrbesitz

     Painting ID::  21277
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Hieronymus_Holzschuher_(mk08)
1526 Oil on wood, 48x36cm Berlin,Gemaldegalerie, Statliche Museen zu Berlin-Preubischer Kultcrbesitz

Albrecht Durer Self-portrait (mk08) oil painting artist
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Self-portrait (mk08)
1498 Oil on wood 52x41cm Madrid,Museo del Prado

     Painting ID::  21354
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-portrait_(mk08)
1498 Oil on wood 52x41cm Madrid,Museo del Prado

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     Albrecht_Durer
    b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

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