Oil Painting Artist::. Andrea del Verrocchio

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     Andrea del Verrocchio
    Italian Early Renaissance Sculptor, ca.1435-1488 Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.

Andrea del Verrocchio The Baptism of Christ oil painting artist
 Click Image to Enlarge
The Baptism of Christ
Oil on wood, 177 x 151 cm Date between 1472(1472) and 1475 cjr

     Painting ID::  81520
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Baptism_of_Christ
Oil on wood, 177 x 151 cm Date between 1472(1472) and 1475 cjr

Andrea del Verrocchio Baptism of Christ oil painting artist
 Click Image to Enlarge
Baptism of Christ
VERROCCHIO, Andrea del The Baptism of Christ Oil on wood, 177 x 151 cm cyf

     Painting ID::  85523
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Baptism_of_Christ
VERROCCHIO, Andrea del The Baptism of Christ Oil on wood, 177 x 151 cm cyf

Andrea del Verrocchio The Baptism of Christ oil painting artist
 Click Image to Enlarge
The Baptism of Christ
Oil on wood, 177 x 151 cm cyf

     Painting ID::  85525
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Baptism_of_Christ
Oil on wood, 177 x 151 cm cyf

Andrea del Verrocchio Mary with the Child oil painting artist
 Click Image to Enlarge
Mary with the Child
Date 15th cent. Medium Oil on poplar Dimensions Height: 67.3 cm (26.5 in). Width: 49.4 cm (19.4 in). cjr

     Painting ID::  86814
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Mary_with_the_Child
Date 15th cent. Medium Oil on poplar Dimensions Height: 67.3 cm (26.5 in). Width: 49.4 cm (19.4 in). cjr

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     Andrea_del_Verrocchio
    Italian Early Renaissance Sculptor, ca.1435-1488 Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.

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