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Andrea del Verrocchio
Italian Early Renaissance Sculptor, ca.1435-1488
Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.
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The Baptism of Christ,
The Baptism of Christ, 1474-1475, Verrocchio and Leonardo.
Painting ID:: 61447
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The_Baptism_of_Christ,
The Baptism of Christ, 1474-1475, Verrocchio and Leonardo.
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Madonna with Child,
Madonna with Child, c. 1470, Verrocchios's workshop. New York, Metropolitan Museum of Art.
Painting ID:: 61448
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Madonna_with_Child,
Madonna with Child, c. 1470, Verrocchios's workshop. New York, Metropolitan Museum of Art.
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Verrocchio
Year Deutsch: um 1475
English: c. 1475
Technique Oil on panel
Dimensions Deutsch: 177 X 151 cm
Painting ID:: 67640
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Verrocchio
Year Deutsch: um 1475
English: c. 1475
Technique Oil on panel
Dimensions Deutsch: 177 X 151 cm
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Baptism of Christ
from 1470(1470) until 1475(1475)
Oil and tempera on panel
cjr
Painting ID:: 72288
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Baptism_of_Christ
from 1470(1470) until 1475(1475)
Oil and tempera on panel
cjr
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The Baptism of Christ
ca. 1475(1475)
Oil on panel
177 X 151 cm (69.68 X 59.45 in)
cjr
Painting ID:: 73430
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The_Baptism_of_Christ
ca. 1475(1475)
Oil on panel
177 X 151 cm (69.68 X 59.45 in)
cjr
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Andrea_del_Verrocchio
Italian Early Renaissance Sculptor, ca.1435-1488
Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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