Oil Painting Artist::. Charles conder

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     Charles conder
    English-born Australian Painter, 1868-1909 English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont

Charles conder Going Home oil painting artist
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Going Home
1889, oil on wood panel, 40.7 x 28.7 cm) by Charles Conder (1868?C1909). cyf

     Painting ID::  77344
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Going_Home
1889, oil on wood panel, 40.7 x 28.7 cm) by Charles Conder (1868?C1909). cyf

Charles conder How We Lost Poor Flossie oil painting artist
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How We Lost Poor Flossie
(1889, oil on cedar panel, 25.0 x 9.2 cm) by Charles Conder (1868?C1909). cyf

     Painting ID::  77349
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  How_We_Lost_Poor_Flossie
(1889, oil on cedar panel, 25.0 x 9.2 cm) by Charles Conder (1868?C1909). cyf

Charles conder Fatal Colours oil painting artist
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Fatal Colours
1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868?C1909). cyf

     Painting ID::  77350
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Fatal_Colours
1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868?C1909). cyf

Charles conder An Early Taste for Literature, oil painting artist
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An Early Taste for Literature,
An Early Taste for Literature, painting, oil on canvas on paperboard, 61 x 51 cm, by Charles Conder Date 1888(1888) cjr

     Painting ID::  79254
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  An_Early_Taste_for_Literature,
An Early Taste for Literature, painting, oil on canvas on paperboard, 61 x 51 cm, by Charles Conder Date 1888(1888) cjr

Charles conder An Early Taste for Literature oil painting artist
 Click Image to Enlarge
An Early Taste for Literature
painting, oil on canvas on paperboard, 61 x 51 cm, by Charles Conder Date 1888(1888) cyf

     Painting ID::  82301
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  An_Early_Taste_for_Literature
painting, oil on canvas on paperboard, 61 x 51 cm, by Charles Conder Date 1888(1888) cyf

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     Charles_conder
    English-born Australian Painter, 1868-1909 English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont

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