Oil Painting Artist::. Charles conder

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     Charles conder
    English-born Australian Painter, 1868-1909 English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont

Charles conder The Fatal Colours oil painting artist
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The Fatal Colours
The Fatal Colours (1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868-1909). cjr

     Painting ID::  75467
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Fatal_Colours
The Fatal Colours (1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868-1909). cjr

Charles conder Impressionists Camp oil painting artist
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Impressionists Camp
1889, oil on cardboard, 13.9 x 24.0 cm) by Charles Conder (1868?C1909). cyf

     Painting ID::  77230
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Impressionists_Camp
1889, oil on cardboard, 13.9 x 24.0 cm) by Charles Conder (1868?C1909). cyf

Charles conder Herrick s Blossoms oil painting artist
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Herrick s Blossoms
1888, oil on cardboard, 13.1 x 24.0 cm) by Charles Conder cyf

     Painting ID::  77237
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Herrick_s_Blossoms
1888, oil on cardboard, 13.1 x 24.0 cm) by Charles Conder cyf

Charles conder Arcadia oil painting artist
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Arcadia
1889, oil on cardboard, 11.5 x 24.0 cm) by Charles Conder (1868?C1909). cyf

     Painting ID::  77246
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Arcadia
1889, oil on cardboard, 11.5 x 24.0 cm) by Charles Conder (1868?C1909). cyf

Charles conder Centennial Choir at Sorrento oil painting artist
 Click Image to Enlarge
Centennial Choir at Sorrento
1889, oil on panel, 10.5 x 23.5 cm) by Charles Conder (1868?C1909). cyf

     Painting ID::  77268
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Centennial_Choir_at_Sorrento
1889, oil on panel, 10.5 x 23.5 cm) by Charles Conder (1868?C1909). cyf

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     Charles_conder
    English-born Australian Painter, 1868-1909 English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont

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