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Miranda, Juan Carreno de
Spanish, 1614-1685
was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion
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Portrait of Francisca de Velasco
17th century
Dimensions 2.4 x 1.82 cm (0.9 x 0.7 in)
cyf
Painting ID:: 83609
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Portrait_of_Francisca_de_Velasco
17th century
Dimensions 2.4 x 1.82 cm (0.9 x 0.7 in)
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Queen consort of Spain
17th century
Medium Oil
cyf
Painting ID:: 84288
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Queen_consort_of_Spain
17th century
Medium Oil
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Portrait of the Duke of Pastrana
Date 1666-70
Medium Oil on canvas
Dimensions 217 x 155 cm (85.4 x 61 in)
cjr
Painting ID:: 84378
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Portrait_of_the_Duke_of_Pastrana
Date 1666-70
Medium Oil on canvas
Dimensions 217 x 155 cm (85.4 x 61 in)
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Belshazzar's Feast
17th century
Medium Oil on canvas
cyf
Painting ID:: 87378
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Belshazzar's_Feast
17th century
Medium Oil on canvas
cyf
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Miranda,_Juan_Carreno_de
Spanish, 1614-1685
was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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