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Miranda, Juan Carreno de
Spanish, 1614-1685
was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion
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Saint Sebastian
1656
Oil on canvas
Museo del Prado, Madrid.
Painting ID:: 19454
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Saint_Sebastian
1656
Oil on canvas
Museo del Prado, Madrid.
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Portrait of Charles II
1676
Oil on canvas
Museo del Prado, Madrid.
Painting ID:: 19455
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Portrait_of_Charles_II
1676
Oil on canvas
Museo del Prado, Madrid.
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Peter Ivanovich Potemkin
1681-82
Oil on canvas
Museo del Prado, Madrid.
Painting ID:: 19456
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Peter_Ivanovich_Potemkin
1681-82
Oil on canvas
Museo del Prado, Madrid.
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Portrait of Charles II
mk61
c.1676
Oil on canvas
201x141cm
Painting ID:: 28093
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Portrait_of_Charles_II
mk61
c.1676
Oil on canvas
201x141cm
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Peter Ivanovich Potemkin
mk61
c.1681-1682
Oil on canvas
204x120cm
Painting ID:: 28094
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Peter_Ivanovich_Potemkin
mk61
c.1681-1682
Oil on canvas
204x120cm
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Miranda,_Juan_Carreno_de
Spanish, 1614-1685
was a Spanish painter of the Baroque period. Born in Avil's in Asturias, son of a painter with the same name, Juan Carreño de Miranda. His family moved to Madrid in 1623, and he trained in Madrid during the late 1620s as an apprentice to Pedro de Las Cuevas and Bartolom Roman. He came to the notice of Velezquez for his work in the cloister of Doña Maria de Aragen and in the church of El Rosario. In 1658 Carreño was hired as an assistant on a royal commission to paint frescoes in the Alcezar palace, now the Royal Palace of Madrid. In 1671, upon the death of Sebastian de Herrera, he was appointed court painter to the queen (pintor de cemara) and began to paint primarily portraits. He refused to be knighted in the order of Santiago, saying Painting needs no honors, it can give them to the whole world. He is mainly recalled as a painter of portraits. His main pupils were Mateo Cerezo, Cabezalero, Donoso, Ledesma y Sotomayor. He died in Madrid. Noble by descent, he had an understanding of the workings and psychology of the royal court as no painter before him making, his portraits of the Spanish royal family in an unprecedented documentary fashion
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