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Master of Moulins
French
1480-1500 Master of Moulins Gallery
Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.
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The Dauphin Charles Orlant
1494(1494)
Medium Oil on wood
cyf
Painting ID:: 81794
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The_Dauphin_Charles_Orlant
1494(1494)
Medium Oil on wood
cyf
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The Annunciation
Date 1500(1500)
Medium Oil on wood
cjr
Painting ID:: 83260
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The_Annunciation
Date 1500(1500)
Medium Oil on wood
cjr
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Portrait of Margaret of Austria
Date between 1490(1490) and 1491(1491)
Medium tempera and Oil on wood
cjr
Painting ID:: 84570
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Portrait_of_Margaret_of_Austria
Date between 1490(1490) and 1491(1491)
Medium tempera and Oil on wood
cjr
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Portrait of Margaret of Austria
between 1490(1490) and 1491(1491)
Medium tempera and Oil on wood
cyf
Painting ID:: 88424
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Portrait_of_Margaret_of_Austria
between 1490(1490) and 1491(1491)
Medium tempera and Oil on wood
cyf
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The Virgin and Child before a Firescreen
1430(1430)
Medium oil on panel
cyf
Painting ID:: 96979
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The_Virgin_and_Child_before_a_Firescreen
1430(1430)
Medium oil on panel
cyf
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Master_of_Moulins
French
1480-1500 Master of Moulins Gallery
Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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