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Master of Moulins
French
1480-1500 Master of Moulins Gallery
Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.
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Portrait of Charles II of Bourbon
c. 1485
Tempera on panel, 35 x 27 cm
Painting ID:: 32398
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Portrait_of_Charles_II_of_Bourbon
c. 1485
Tempera on panel, 35 x 27 cm
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Mary Magdalen and a Donator
1498-1500
Panel, 53 x 40 cm
Painting ID:: 32401
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Mary_Magdalen_and_a_Donator
1498-1500
Panel, 53 x 40 cm
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Pierre II, Duke of Bourbon, Presented by St. Peter
1492-93
Wood
Painting ID:: 32402
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Pierre_II,_Duke_of_Bourbon,_Presented_by_St._Peter
1492-93
Wood
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Portrait of a Young Princess
mk161
Tempera on panel
Painting ID:: 41288
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Portrait_of_a_Young_Princess
mk161
Tempera on panel
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The Meeting of Saints Joachim and Anne at the Golden Gate
mk170
circa 1500
Oil on oak
72x59cm
Painting ID:: 42936
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The_Meeting_of_Saints_Joachim_and_Anne_at_the_Golden_Gate
mk170
circa 1500
Oil on oak
72x59cm
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Master_of_Moulins
French
1480-1500 Master of Moulins Gallery
Until the late 20th century, the name of the painter of the Moulins Triptych was unknown, although art historians identified a number of other works that were evidently by the same hand. The first monograph on the Master of Moulins, written in 1961 by Madeleine Huillet d'Istria, argued that this artist did not actually exist, and that more than 12 different artists were responsible for the corpus of works traditionally ascribed to him. The Master's identity was established after an inscription was found on the reverse of a damaged painting, Christ with Crown of Thorns (1494) in the Royal Museums of Fine Arts of Belgium, Brussels, identifying the artist as Jean Hey, teutonicus and pictor egregius ("the famous painter"), and identifying the patron as Jean Cueillette, who was secretary to the King and an associate of the Bourbon family. Stylistic similarities link this painting to the works attributed to the Master of Moulins. The Master of Moulins appears to have been the court painter for the Bourbons, and from a surviving account for 1502-03, it is clear that the court painter's name was Jean; other candidates once considered plausible, such as Jean Perr??al and Jean Prevost, have proven untenable in the light of subsequent research. The term "Teutonicus", or "German" included Flemings at this date.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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