Oil Painting Artist::. Domenico Fetti

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     Domenico Fetti
    Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.

Domenico Fetti Parable of the Lost Drachma oil painting artist
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Parable of the Lost Drachma
1618(1618) Medium Oil on wood cyf

     Painting ID::  88459
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Parable_of_the_Lost_Drachma
1618(1618) Medium Oil on wood cyf

Domenico Fetti Parable of the Wicked Servant oil painting artist
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Parable of the Wicked Servant
c. 1620(1620) Medium Oil on canvas Dimensions 61 x 44,5 cm cjr

     Painting ID::  88976
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Parable_of_the_Wicked_Servant
c. 1620(1620) Medium Oil on canvas Dimensions 61 x 44,5 cm cjr

Domenico Fetti Hero and Leander oil painting artist
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Hero and Leander
between 1622(1622) and 1623(1623) Medium oil on panel cyf

     Painting ID::  89676
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Hero_and_Leander
between 1622(1622) and 1623(1623) Medium oil on panel cyf

Domenico Fetti The Parable of the Vineyard oil painting artist
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The Parable of the Vineyard
1618(1618) Medium oil on panel Dimensions Height: 76 cm (29.9 in). Width: 45 cm (17.7 in). cyf

     Painting ID::  90408
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Parable_of_the_Vineyard
1618(1618) Medium oil on panel Dimensions Height: 76 cm (29.9 in). Width: 45 cm (17.7 in). cyf

Domenico Fetti Idealbildnis eines Gonzaga oil painting artist
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Idealbildnis eines Gonzaga
um 1620 Medium oil on canvas Dimensions Deutsch: 101 x 88 cjr

     Painting ID::  92832
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Idealbildnis_eines_Gonzaga
um 1620 Medium oil on canvas Dimensions Deutsch: 101 x 88 cjr

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     Domenico_Fetti
    Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.

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