Oil Painting Artist::. ALBERTINELLI Mariotto

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     ALBERTINELLI Mariotto
    Italian Early Renaissance Painter, 1474-1515 Italian painter. Albertinelli's contribution to the Florentine High Renaissance was inspired by the work of FRA BARTOLOMMEO, and the two artists worked together in a partnership, their paintings appearing to be the product of a single hand. Albertinelli, however, always retained artistic independence, as is revealed in certain paintings that are eccentrically archaic and in others that show a preference for conventions more typical of the early Renaissance.
ALBERTINELLI Mariotto The Adoration of the Child with an Angel oil painting artist
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The Adoration of the Child with an Angel
mk65 Oil on panel 33 7/8in Pitti,Palatine Gallery
     Painting ID::  29025
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Adoration_of_the_Child_with_an_Angel
mk65 Oil on panel 33 7/8in Pitti,Palatine Gallery
ALBERTINELLI Mariotto The Nativity oil painting artist
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The Nativity
mk65 Oil on panel 9 1/16x19 11/16in Uffizi,Gallery
     Painting ID::  29026
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Nativity
mk65 Oil on panel 9 1/16x19 11/16in Uffizi,Gallery
ALBERTINELLI Mariotto The Visitacion oil painting artist
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The Visitacion
mk166 1491 Painting on wood 172x165cm Museum of the Louvre, Paris
     Painting ID::  41951
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Visitacion
mk166 1491 Painting on wood 172x165cm Museum of the Louvre, Paris
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     ALBERTINELLI_Mariotto
    Italian Early Renaissance Painter, 1474-1515 Italian painter. Albertinelli's contribution to the Florentine High Renaissance was inspired by the work of FRA BARTOLOMMEO, and the two artists worked together in a partnership, their paintings appearing to be the product of a single hand. Albertinelli, however, always retained artistic independence, as is revealed in certain paintings that are eccentrically archaic and in others that show a preference for conventions more typical of the early Renaissance.

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