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Domenico Tintoretto
Italian, 1560-1635,Son of Jacopo Tintoretto. He was taught by his father and assisted him in his workshop. At the age of 17 he was admitted to the Venetian painters' guild, and he is recorded in the confraternity of painters from 1594. He began his career by helping his father to execute the paintings in the Sala del Collegio and Sala del Senato in the Doge's Palace, Venice. Following this he worked independently at the palace, on the Sala dello Scrutinio and the Sala del Maggiore Consiglio. His training with his father helped him in his own compositions, several of which, such as the Battle of Salvore, or the Second Conquest of Constantinople, are heroic battle themes with complex groupings and dramatic poses. In the last two decades of the 16th century Domenico concentrated on religious commissions in Venice, including a Last Supper and Crucifixion (both c. 1583) for S Andrea della Zirada (both in situ), a Marriage of the Virgin for S Giorgio Maggiore (in situ) and a Crucifixion for the Scuola dei Mercanti.
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Portrait of Joannes Gritti
Domenico Tintoretto 002.jpg
Portrait of Joannes Gritti, oil on canvas// Priv. coll.
Date 16-17 c.
cjr
Painting ID:: 80824
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Portrait_of_Joannes_Gritti
Domenico Tintoretto 002.jpg
Portrait of Joannes Gritti, oil on canvas// Priv. coll.
Date 16-17 c.
cjr
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Christ Crowned with Thorns
Date ca. 1590(1590)
Medium Oil on canvas
cjr
Painting ID:: 83767
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Christ_Crowned_with_Thorns
Date ca. 1590(1590)
Medium Oil on canvas
cjr
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Bildnis eines venezianischen Beamten
Date Um 1600/20
cyf
Painting ID:: 83975
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Bildnis_eines_venezianischen_Beamten
Date Um 1600/20
cyf
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The Penitent Magdalene
1598(1598)
Medium Oil on canvas
cyf
Painting ID:: 84523
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The_Penitent_Magdalene
1598(1598)
Medium Oil on canvas
cyf
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The Baptism of Christ
Medium Oil on canvas
cyf
Painting ID:: 84526
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The_Baptism_of_Christ
Medium Oil on canvas
cyf
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Domenico_Tintoretto
Italian, 1560-1635,Son of Jacopo Tintoretto. He was taught by his father and assisted him in his workshop. At the age of 17 he was admitted to the Venetian painters' guild, and he is recorded in the confraternity of painters from 1594. He began his career by helping his father to execute the paintings in the Sala del Collegio and Sala del Senato in the Doge's Palace, Venice. Following this he worked independently at the palace, on the Sala dello Scrutinio and the Sala del Maggiore Consiglio. His training with his father helped him in his own compositions, several of which, such as the Battle of Salvore, or the Second Conquest of Constantinople, are heroic battle themes with complex groupings and dramatic poses. In the last two decades of the 16th century Domenico concentrated on religious commissions in Venice, including a Last Supper and Crucifixion (both c. 1583) for S Andrea della Zirada (both in situ), a Marriage of the Virgin for S Giorgio Maggiore (in situ) and a Crucifixion for the Scuola dei Mercanti.
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