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Domenico Tintoretto
Italian, 1560-1635,Son of Jacopo Tintoretto. He was taught by his father and assisted him in his workshop. At the age of 17 he was admitted to the Venetian painters' guild, and he is recorded in the confraternity of painters from 1594. He began his career by helping his father to execute the paintings in the Sala del Collegio and Sala del Senato in the Doge's Palace, Venice. Following this he worked independently at the palace, on the Sala dello Scrutinio and the Sala del Maggiore Consiglio. His training with his father helped him in his own compositions, several of which, such as the Battle of Salvore, or the Second Conquest of Constantinople, are heroic battle themes with complex groupings and dramatic poses. In the last two decades of the 16th century Domenico concentrated on religious commissions in Venice, including a Last Supper and Crucifixion (both c. 1583) for S Andrea della Zirada (both in situ), a Marriage of the Virgin for S Giorgio Maggiore (in situ) and a Crucifixion for the Scuola dei Mercanti.
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The Circumcision
1587(1587)
Oil on canvas
440 X 482 cm
cjr
Painting ID:: 73963
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The_Circumcision
1587(1587)
Oil on canvas
440 X 482 cm
cjr
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The Circumcision
Date 1587(1587)
Medium Oil on canvas
Dimensions 440 X 482 cm
cyf
Painting ID:: 75465
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The_Circumcision
Date 1587(1587)
Medium Oil on canvas
Dimensions 440 X 482 cm
cyf
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The Penitent Magdalene
ca. 1598(1598)
Oil on canvas
cjr
Painting ID:: 80284
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The_Penitent_Magdalene
ca. 1598(1598)
Oil on canvas
cjr
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The Baptism of Christ
Oil on canvas
cjr
Painting ID:: 80287
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The_Baptism_of_Christ
Oil on canvas
cjr
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Portrait of a Gentleman
Portrait of a Gentleman, oil on canvas // Priv. coll
Date 16-17 c,
cjr
Painting ID:: 80404
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Portrait_of_a_Gentleman
Portrait of a Gentleman, oil on canvas // Priv. coll
Date 16-17 c,
cjr
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Domenico_Tintoretto
Italian, 1560-1635,Son of Jacopo Tintoretto. He was taught by his father and assisted him in his workshop. At the age of 17 he was admitted to the Venetian painters' guild, and he is recorded in the confraternity of painters from 1594. He began his career by helping his father to execute the paintings in the Sala del Collegio and Sala del Senato in the Doge's Palace, Venice. Following this he worked independently at the palace, on the Sala dello Scrutinio and the Sala del Maggiore Consiglio. His training with his father helped him in his own compositions, several of which, such as the Battle of Salvore, or the Second Conquest of Constantinople, are heroic battle themes with complex groupings and dramatic poses. In the last two decades of the 16th century Domenico concentrated on religious commissions in Venice, including a Last Supper and Crucifixion (both c. 1583) for S Andrea della Zirada (both in situ), a Marriage of the Virgin for S Giorgio Maggiore (in situ) and a Crucifixion for the Scuola dei Mercanti.
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