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Francis Campbell Boileau Cadell
Scottish, 1883-1937, was a Scottish painter associated with the Scottish Colourists. Francis Cadell was born in Edinburgh and, from the age of 16, studied in Paris at the Academie Julian, where he was in contact with the French avant-garde of the day. While in France, his exposure to work by the early Fauvists, and in particular Matisse, proved to be his most lasting influence. After his return to Scotland, he was a regular exhibitor in Edinburgh and Glasgow, as well as in London. He painted landscapes, interiors, still life and figures in both oil and watercolour, but he is particularly noted for his portraits, depicting his subject with vibrant waves of colour. He enjoyed the landscape of Iona enormously, which he first visited in 1912 and features prominently in his work.
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The Gold Chair
mk147
c.1921
Oil on canvas
60.9x50.8
Painting ID:: 39365
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The_Gold_Chair
mk147
c.1921
Oil on canvas
60.9x50.8
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The Red Chair
mk147
c.1928
Oil on canvas
63.5x76
Painting ID:: 39366
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The_Red_Chair
mk147
c.1928
Oil on canvas
63.5x76
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The Blue Fan
mk147
c.1928
Oil on canvas
61x50.5
Painting ID:: 39367
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The_Blue_Fan
mk147
c.1928
Oil on canvas
61x50.5
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Cassis
mk147
1923/4
Oil on canvas
76x63.5
Painting ID:: 39368
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Cassis
mk147
1923/4
Oil on canvas
76x63.5
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Cassis
mk147
1923/4
Oil on plywood
44.8x37.2
Painting ID:: 39369
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Cassis
mk147
1923/4
Oil on plywood
44.8x37.2
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Francis_Campbell_Boileau_Cadell
Scottish, 1883-1937, was a Scottish painter associated with the Scottish Colourists. Francis Cadell was born in Edinburgh and, from the age of 16, studied in Paris at the Academie Julian, where he was in contact with the French avant-garde of the day. While in France, his exposure to work by the early Fauvists, and in particular Matisse, proved to be his most lasting influence. After his return to Scotland, he was a regular exhibitor in Edinburgh and Glasgow, as well as in London. He painted landscapes, interiors, still life and figures in both oil and watercolour, but he is particularly noted for his portraits, depicting his subject with vibrant waves of colour. He enjoyed the landscape of Iona enormously, which he first visited in 1912 and features prominently in his work.
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