Oil Painting Artist::. Claude-joseph Vernet

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     Claude-joseph Vernet
    French Painter, 1714-1789 Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy.

Claude-joseph Vernet Storm with a Shipwreck oil painting artist
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Storm with a Shipwreck
Storm with a Shipwreck, 1754, Oil on canvas, 87 x 137 cm, Wallace Collection, London cjr

     Painting ID::  75204
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Storm_with_a_Shipwreck
Storm with a Shipwreck, 1754, Oil on canvas, 87 x 137 cm, Wallace Collection, London cjr

Claude-joseph Vernet Vernet-bandol-detail oil painting artist
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Vernet-bandol-detail
la pe - he au thon (dxtail), 1755, huile sur toile, 1,65 x 2,63 m Musxee national de la Marine, nx5 OA 4D, dxpôt du Musxe de Louvre, inv. 8295 cjr

     Painting ID::  80218
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Vernet-bandol-detail
la pe - he au thon (dxtail), 1755, huile sur toile, 1,65 x 2,63 m Musxee national de la Marine, nx5 OA 4D, dxpôt du Musxe de Louvre, inv. 8295 cjr

Claude-joseph Vernet Interieur du port de Marseille oil painting artist
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Interieur du port de Marseille
Date 1754(1754) Medium Oil on canvas Dimensions 165 x 263 cm (65 x 103.5 in) cjr

     Painting ID::  83182
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Interieur_du_port_de_Marseille
Date 1754(1754) Medium Oil on canvas Dimensions 165 x 263 cm (65 x 103.5 in) cjr

Claude-joseph Vernet Interieur du port de Marseille oil painting artist
 Click Image to Enlarge
Interieur du port de Marseille
1754(1754) Medium Oil on canvas Dimensions 165 x 263 cm (65 x 103.5 in) cyf

     Painting ID::  87570
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Interieur_du_port_de_Marseille
1754(1754) Medium Oil on canvas Dimensions 165 x 263 cm (65 x 103.5 in) cyf

Claude-joseph Vernet Les Baigneuses oil painting artist
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Les Baigneuses
1759(1759) Medium : oil on cardboard cjr

     Painting ID::  90547
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Les_Baigneuses
1759(1759) Medium : oil on cardboard cjr

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     Claude-joseph_Vernet
    French Painter, 1714-1789 Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy.

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