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Eugene Boudin
1824-1898
French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.
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The Port of Camaret
1872
1' 2 1/4'' x 1' 11 1/4''(36 x 59cm)
Bequest of Clement and Andree Ades,
1978
Painting ID:: 11301
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The_Port_of_Camaret
1872
1' 2 1/4'' x 1' 11 1/4''(36 x 59cm)
Bequest of Clement and Andree Ades,
1978
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The Port of Le Havre(Dock of La Barre)
1888
1' 1'' x 1' 4 1/4''(32 x 41cm)
Bequest of James N.B.Hill,1978
Painting ID:: 11304
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The_Port_of_Le_Havre(Dock_of_La_Barre)
1888
1' 1'' x 1' 4 1/4''(32 x 41cm)
Bequest of James N.B.Hill,1978
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Les Regates
mk71
Bois
H.0.245
L.0.325
Chateau-musee de Boulogne-sur-mer
Painting ID:: 31112
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Les_Regates
mk71
Bois
H.0.245
L.0.325
Chateau-musee de Boulogne-sur-mer
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Le Port a Anvers
mk71
1871
Toile
H.0.41
L.0.66
Calais,Musee des Beaux-Arts et de la Dentelle
Painting ID:: 31113
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Le_Port_a_Anvers
mk71
1871
Toile
H.0.41
L.0.66
Calais,Musee des Beaux-Arts et de la Dentelle
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Port de Trouville a maree basse
mk71
Toile
H.0.35
L.0.26
Musee de Cambrai
Painting ID:: 31114
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Port_de_Trouville_a_maree_basse
mk71
Toile
H.0.35
L.0.26
Musee de Cambrai
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Eugene_Boudin
1824-1898
French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.
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