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Eugene Boudin
1824-1898
French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.
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Venice, The Grand Canal
Date 1895(1895)
Medium Oil on panel
Dimensions 26 x 35.2 cm (10.2 x 13.9 in)
cjr
Painting ID:: 86233
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Venice,_The_Grand_Canal
Date 1895(1895)
Medium Oil on panel
Dimensions 26 x 35.2 cm (10.2 x 13.9 in)
cjr
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Kaiserin Eugenie am Strand von Trouville
Date 1863(1863)
Medium Oil on canvas
Dimensions 34,5 x 57 cm
cjr
Painting ID:: 86793
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Kaiserin_Eugenie_am_Strand_von_Trouville
Date 1863(1863)
Medium Oil on canvas
Dimensions 34,5 x 57 cm
cjr
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Strand von Trouville
1868(1868)
Medium Oil on canvas
Dimensions 29 x 48 cm (11.4 x 18.9 in)
cjr
Painting ID:: 88209
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Strand_von_Trouville
1868(1868)
Medium Oil on canvas
Dimensions 29 x 48 cm (11.4 x 18.9 in)
cjr
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Kanal in Bruxelles
1871(1871)
Medium oil on canvas
cjr
Painting ID:: 89741
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Kanal_in_Bruxelles
1871(1871)
Medium oil on canvas
cjr
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Bordeaux, Boats on the Garonne
1876(1876)
Medium oil on canvas
cjr
Painting ID:: 89828
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Bordeaux,_Boats_on_the_Garonne
1876(1876)
Medium oil on canvas
cjr
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Eugene_Boudin
1824-1898
French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.
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