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GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337
Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
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The Devils Cast out of Arezzo (mk08)
c.1296-1297
Freso,Assisi,
San Franceso.
Upper Church
Painting ID:: 21137
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The_Devils_Cast_out_of_Arezzo_(mk08)
c.1296-1297
Freso,Assisi,
San Franceso.
Upper Church
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Crucifixion (mk08)
1303-1305
Fresco.Padua,
Arena Chapel
Painting ID:: 21138
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Crucifixion_(mk08)
1303-1305
Fresco.Padua,
Arena Chapel
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The Marriage Procession of the Virgin (mk08)
1303-1305
Fresco.Padua,Arena Chapel
Painting ID:: 21139
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The_Marriage_Procession_of_the_Virgin_(mk08)
1303-1305
Fresco.Padua,Arena Chapel
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View of the Church of San Francesco dfg
established in 1228
Convent of San Francesco, Assisi
Painting ID:: 6898
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View_of_the_Church_of_San_Francesco_dfg
established in 1228
Convent of San Francesco, Assisi
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The Chapel viewed from the entrance dfg
1303-06
Cappella Scrovegni (Arena Chapel), Padua
Painting ID:: 6899
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The_Chapel_viewed_from_the_entrance_dfg
1303-06
Cappella Scrovegni (Arena Chapel), Padua
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GIOTTO_di_Bondone
Italian Early Renaissance Painter, 1267-1337
Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale
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