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GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337
Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
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Nativity,Adoration of the Shepherds and the Magi
mk161
Tempera on wood
Gold ground
Painting ID:: 41262
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Nativity,Adoration_of_the_Shepherds_and_the_Magi
mk161
Tempera on wood
Gold ground
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The birth, with the giornate indicated
mk169
ca.1304-13 v. Chr. Fresco 231x202cm Scrovegnikapel, Padua
Painting ID:: 42508
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The_birth,_with_the_giornate_indicated
mk169
ca.1304-13 v. Chr. Fresco 231x202cm Scrovegnikapel, Padua
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Baroncelli Polyptych
c. 1334
Tempera on wood,
185 x 323 cm
Painting ID:: 44308
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Baroncelli_Polyptych
c. 1334
Tempera on wood,
185 x 323 cm
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Saint Stephen
1320-25
Tempera on wood,
84 x 54 cm
Painting ID:: 44309
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Saint_Stephen
1320-25
Tempera on wood,
84 x 54 cm
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GIOTTO
1320-25
Tempera on wood,
81 x 55 cm
Painting ID:: 44310
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GIOTTO
1320-25
Tempera on wood,
81 x 55 cm
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GIOTTO_di_Bondone
Italian Early Renaissance Painter, 1267-1337
Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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