Oil Painting Artist::. Jan van Bijlert

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     Jan van Bijlert
    Dutch Baroque Era Painter, ca.1597-1671 Dutch painter. He was the son of the Utrecht glass painter Herman Beerntsz. van Bijlert (c. 1566-before 1615). Jan must have trained first with his father but was later apprenticed to the painter Abraham Bloemaert. After his initial training, he visited France and travelled to Italy, as did other artists from Utrecht. Jan stayed mainly in Rome, where he became a member of the Schildersbent; he returned to Utrecht in 1624. In Rome he and the other Utrecht artists had come under the influence of the work of Caravaggio; after their return home, this group of painters, who became known as the UTRECHT CARAVAGGISTI, adapted the style of Caravaggio to their own local idiom. The Caravaggesque style, evident in van Bijlert's early paintings, such as St Sebastian Tended by Irene (1624; Rohrau, Schloss; see fig.) and The Matchmaker (1626; Brunswick, Herzog Anton Ulrich-Mus.), is characterized by the use of strong chiaroscuro, the cutting off of the picture plane so that the image is seen close-up and by an attempt to achieve a realistic rather than idealized representation.

Jan van Bijlert Portait of a young man,half-length,wearing a breastplate and brooch,wearing a breastplate and brooch with the head of medusa,and the order of the gold oil painting artist
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Portait of a young man,half-length,wearing a breastplate and brooch,wearing a breastplate and brooch with the head of medusa,and the order of the gold
mk56 oil on panel,in a carved and gilt wood frame

     Painting ID::  27343
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portait_of_a_young_man,half-length,wearing_a_breastplate_and_brooch,wearing_a_breastplate_and_brooch_with_the_head_of_medusa,and_the_order_of_the_gold
mk56 oil on panel,in a carved and gilt wood frame

Jan van Bijlert Musical Company oil painting artist
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Musical Company
Oil on panel, 97 x 115 cm

     Painting ID::  52606
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Musical_Company
Oil on panel, 97 x 115 cm

Jan van Bijlert Johannes de Evangelist. oil painting artist
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Johannes de Evangelist.
Date ca.1625-30 Medium Oil on canvas Dimensions 94.3 x 77.6 cm (37.1 x 30.6 in) cjr

     Painting ID::  84003
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Johannes_de_Evangelist.
Date ca.1625-30 Medium Oil on canvas Dimensions 94.3 x 77.6 cm (37.1 x 30.6 in) cjr

Jan van Bijlert Johannes de Evangelist oil painting artist
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Johannes de Evangelist
1625-30 Medium Oil on canvas Dimensions 94.3 x 77.6 cm (37.1 x 30.6 in) cyf

     Painting ID::  87868
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Johannes_de_Evangelist
1625-30 Medium Oil on canvas Dimensions 94.3 x 77.6 cm (37.1 x 30.6 in) cyf

Jan van Bijlert Music society oil painting artist
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Music society
c 1640. Oil on canvas 17th century cjr

     Painting ID::  90646
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Music_society
c 1640. Oil on canvas 17th century cjr

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     Jan_van_Bijlert
    Dutch Baroque Era Painter, ca.1597-1671 Dutch painter. He was the son of the Utrecht glass painter Herman Beerntsz. van Bijlert (c. 1566-before 1615). Jan must have trained first with his father but was later apprenticed to the painter Abraham Bloemaert. After his initial training, he visited France and travelled to Italy, as did other artists from Utrecht. Jan stayed mainly in Rome, where he became a member of the Schildersbent; he returned to Utrecht in 1624. In Rome he and the other Utrecht artists had come under the influence of the work of Caravaggio; after their return home, this group of painters, who became known as the UTRECHT CARAVAGGISTI, adapted the style of Caravaggio to their own local idiom. The Caravaggesque style, evident in van Bijlert's early paintings, such as St Sebastian Tended by Irene (1624; Rohrau, Schloss; see fig.) and The Matchmaker (1626; Brunswick, Herzog Anton Ulrich-Mus.), is characterized by the use of strong chiaroscuro, the cutting off of the picture plane so that the image is seen close-up and by an attempt to achieve a realistic rather than idealized representation.

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