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Jan van Bijlert
Dutch Baroque Era Painter, ca.1597-1671
Dutch painter. He was the son of the Utrecht glass painter Herman Beerntsz. van Bijlert (c. 1566-before 1615). Jan must have trained first with his father but was later apprenticed to the painter Abraham Bloemaert. After his initial training, he visited France and travelled to Italy, as did other artists from Utrecht. Jan stayed mainly in Rome, where he became a member of the Schildersbent; he returned to Utrecht in 1624. In Rome he and the other Utrecht artists had come under the influence of the work of Caravaggio; after their return home, this group of painters, who became known as the UTRECHT CARAVAGGISTI, adapted the style of Caravaggio to their own local idiom. The Caravaggesque style, evident in van Bijlert's early paintings, such as St Sebastian Tended by Irene (1624; Rohrau, Schloss; see fig.) and The Matchmaker (1626; Brunswick, Herzog Anton Ulrich-Mus.), is characterized by the use of strong chiaroscuro, the cutting off of the picture plane so that the image is seen close-up and by an attempt to achieve a realistic rather than idealized representation.
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Virgin and Child
circa 1635(1635)
Medium oil on canvas
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Painting ID:: 95483
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Virgin_and_Child
circa 1635(1635)
Medium oil on canvas
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Entremetteuse
circa 1625-1630
Medium oil on canvas
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Painting ID:: 97528
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Entremetteuse
circa 1625-1630
Medium oil on canvas
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St John the evengelist
circa 1625-30
Medium oil on canvas
Dimensions 94.3 x 77.6 cm
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Painting ID:: 97686
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St_John_the_evengelist
circa 1625-30
Medium oil on canvas
Dimensions 94.3 x 77.6 cm
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A Concert
oil on canvas
Dimensions 103.5 x 144.5 cm
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Painting ID:: 97935
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A_Concert
oil on canvas
Dimensions 103.5 x 144.5 cm
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Jan_van_Bijlert
Dutch Baroque Era Painter, ca.1597-1671
Dutch painter. He was the son of the Utrecht glass painter Herman Beerntsz. van Bijlert (c. 1566-before 1615). Jan must have trained first with his father but was later apprenticed to the painter Abraham Bloemaert. After his initial training, he visited France and travelled to Italy, as did other artists from Utrecht. Jan stayed mainly in Rome, where he became a member of the Schildersbent; he returned to Utrecht in 1624. In Rome he and the other Utrecht artists had come under the influence of the work of Caravaggio; after their return home, this group of painters, who became known as the UTRECHT CARAVAGGISTI, adapted the style of Caravaggio to their own local idiom. The Caravaggesque style, evident in van Bijlert's early paintings, such as St Sebastian Tended by Irene (1624; Rohrau, Schloss; see fig.) and The Matchmaker (1626; Brunswick, Herzog Anton Ulrich-Mus.), is characterized by the use of strong chiaroscuro, the cutting off of the picture plane so that the image is seen close-up and by an attempt to achieve a realistic rather than idealized representation.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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