Oil Painting Artist::. Luca Signorelli

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     Luca Signorelli
    Crtona 1441-1523 .Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.

Luca Signorelli The Birth of  st John the Baptist (mk05) oil painting artist
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The Birth of st John the Baptist (mk05)
Wood 12 1/2 x 27 1/2''(32 x 70 cm)Entered the Louvre in 1824

     Painting ID::  20060
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Birth_of__st_John_the_Baptist_(mk05)
Wood 12 1/2 x 27 1/2''(32 x 70 cm)Entered the Louvre in 1824

Luca Signorelli Portrait of a Lawyer (mk08) oil painting artist
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Portrait of a Lawyer (mk08)
c.1490-1500 Oil on wood, 50x32cm Berlin Gemaldegalerie,Staatliche Museen zu Berli-Preubischer Kulturbesitz

     Painting ID::  21226
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Lawyer_(mk08)
c.1490-1500 Oil on wood, 50x32cm Berlin Gemaldegalerie,Staatliche Museen zu Berli-Preubischer Kulturbesitz

Luca Signorelli The Damned Cast in Hell (mk08) oil painting artist
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The Damned Cast in Hell (mk08)
1499-1503 Fresco totao width. c.670cm Orvieto,Duomo,Cappella di San Brizio

     Painting ID::  21227
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Damned_Cast_in_Hell_(mk08)
1499-1503 Fresco totao width. c.670cm Orvieto,Duomo,Cappella di San Brizio

Luca Signorelli The Flagellation of Christ (nn03) oil painting artist
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The Flagellation of Christ (nn03)
c 1490 Oil on panel 85.5 x 62 cm 33 1/4 x 24 3/8 in Pinaoteca di Brera Milan

     Painting ID::  23498
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Flagellation_of_Christ_(nn03)
c 1490 Oil on panel 85.5 x 62 cm 33 1/4 x 24 3/8 in Pinaoteca di Brera Milan

Luca Signorelli Middle-Aged Man (mk45) oil painting artist
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Middle-Aged Man (mk45)
c.1500 Oil on panel 50x32cm Berlin,Staatliche Museen zu Berlin-PreubischerKulturbesitz,Gemaldegalerie

     Painting ID::  25892
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Middle-Aged_Man_(mk45)
c.1500 Oil on panel 50x32cm Berlin,Staatliche Museen zu Berlin-PreubischerKulturbesitz,Gemaldegalerie

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     Luca_Signorelli
    Crtona 1441-1523 .Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.

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