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Luca Signorelli
Crtona 1441-1523
.Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.
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The Virgin and Child among Angels and Saints
mk170
Oil on wood
265x193cm
Painting ID:: 42873
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The_Virgin_and_Child_among_Angels_and_Saints
mk170
Oil on wood
265x193cm
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The Circumcision
mk170
circa 1490-1495
Oil on wood
258.5x180cm
Painting ID:: 42874
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The_Circumcision
mk170
circa 1490-1495
Oil on wood
258.5x180cm
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The Damned Cast into Hell
mk176
1499-1504
Painting ID:: 44892
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The_Damned_Cast_into_Hell
mk176
1499-1504
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Sermon and Deeds of the Antichrist
1499-1502 Fresco Chapel of San Brizio
Painting ID:: 52057
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Sermon_and_Deeds_of_the_Antichrist
1499-1502 Fresco Chapel of San Brizio
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Resurrection of the Flesh
1499-1502
Fresco Chapel of San Brizio
Painting ID:: 52059
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Resurrection_of_the_Flesh
1499-1502
Fresco Chapel of San Brizio
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Luca_Signorelli
Crtona 1441-1523
.Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.
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