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Panini, Giovanni Paolo
Italian Neoclassical Painter, ca.1691-1765
Italian painter, architect and stage designer. He was a highly prolific and versatile painter, best known for his numerous vedute of Rome, many of which focused on the remnants of the city's Classical past. Ceremonies and festivals often feature in his vedute, which thus constitute a lively documentation of contemporary topography, lifestyle and customs. In contrast to Bernardo Bellotto and Gaspar van Wittel, his treatment is picturesque rather than rigorous; he liked to enliven and animate his views by adding numerous figures. He worked exclusively in Rome and by the end of his career was the head of a thriving workshop that included the Frenchman Hubert Robert (in Rome from 1754) and Panini's son Francesco Panini (b 1738).
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Ruins with Scene of the Apostle Paul Preaching
1744
Oil on canvas
The Hermitage, St. Petersburg.
Painting ID:: 19753
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Ruins_with_Scene_of_the_Apostle_Paul_Preaching
1744
Oil on canvas
The Hermitage, St. Petersburg.
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The Plaza and Church of St. Maria Maggiore
1744
Oil on canvas
Painting ID:: 19754
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The_Plaza_and_Church_of_St._Maria_Maggiore
1744
Oil on canvas
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Roman Ruins with Figures
1730
Oil on canvas
National Gallery, London.
Painting ID:: 19755
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Roman_Ruins_with_Figures
1730
Oil on canvas
National Gallery, London.
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Interior of Saint Peter's, Rome
1746-54
Oil on canvas
National Gallery of Art, Washington D.C.
Painting ID:: 19756
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Interior_of_Saint_Peter's,_Rome
1746-54
Oil on canvas
National Gallery of Art, Washington D.C.
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View of Rome from Mt. Mario, In the Southeast
1749
Oil on canvas
Gemäldegalerie, Berlin.
Painting ID:: 19757
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View_of_Rome_from_Mt._Mario,_In_the_Southeast
1749
Oil on canvas
Gemäldegalerie, Berlin.
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Panini,_Giovanni_Paolo
Italian Neoclassical Painter, ca.1691-1765
Italian painter, architect and stage designer. He was a highly prolific and versatile painter, best known for his numerous vedute of Rome, many of which focused on the remnants of the city's Classical past. Ceremonies and festivals often feature in his vedute, which thus constitute a lively documentation of contemporary topography, lifestyle and customs. In contrast to Bernardo Bellotto and Gaspar van Wittel, his treatment is picturesque rather than rigorous; he liked to enliven and animate his views by adding numerous figures. He worked exclusively in Rome and by the end of his career was the head of a thriving workshop that included the Frenchman Hubert Robert (in Rome from 1754) and Panini's son Francesco Panini (b 1738).
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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