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Panini, Giovanni Paolo
Italian Neoclassical Painter, ca.1691-1765
Italian painter, architect and stage designer. He was a highly prolific and versatile painter, best known for his numerous vedute of Rome, many of which focused on the remnants of the city's Classical past. Ceremonies and festivals often feature in his vedute, which thus constitute a lively documentation of contemporary topography, lifestyle and customs. In contrast to Bernardo Bellotto and Gaspar van Wittel, his treatment is picturesque rather than rigorous; he liked to enliven and animate his views by adding numerous figures. He worked exclusively in Rome and by the end of his career was the head of a thriving workshop that included the Frenchman Hubert Robert (in Rome from 1754) and Panini's son Francesco Panini (b 1738).
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Interior of a Picture Gallery with the Collection of Cardinal Gonzaga
1749
Oil on canvas
Wadsworth Atheneum, Hartford, CT.
Painting ID:: 19758
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Interior_of_a_Picture_Gallery_with_the_Collection_of_Cardinal_Gonzaga
1749
Oil on canvas
Wadsworth Atheneum, Hartford, CT.
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Departure of Duc de Choiseul from the Piazza di St. Pietro
1754
Oil on canvas
Gemäldegalerie, Berlin.
Painting ID:: 19759
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Departure_of_Duc_de_Choiseul_from_the_Piazza_di_St._Pietro
1754
Oil on canvas
Gemäldegalerie, Berlin.
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Ruins with Scene of the Apostle Paul Preaching
mk60
1744
Oil on cnavas
25x33"
Painting ID:: 28439
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Ruins_with_Scene_of_the_Apostle_Paul_Preaching
mk60
1744
Oil on cnavas
25x33"
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Adoration of the Shepherds
Date ca. 1755(1755)
Medium Oil on canvas
Dimensions 96.5 X 73.3 cm (37.99 X 28.86 in)
cyf
Painting ID:: 72441
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Adoration_of_the_Shepherds
Date ca. 1755(1755)
Medium Oil on canvas
Dimensions 96.5 X 73.3 cm (37.99 X 28.86 in)
cyf
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Panini,_Giovanni_Paolo
Italian Neoclassical Painter, ca.1691-1765
Italian painter, architect and stage designer. He was a highly prolific and versatile painter, best known for his numerous vedute of Rome, many of which focused on the remnants of the city's Classical past. Ceremonies and festivals often feature in his vedute, which thus constitute a lively documentation of contemporary topography, lifestyle and customs. In contrast to Bernardo Bellotto and Gaspar van Wittel, his treatment is picturesque rather than rigorous; he liked to enliven and animate his views by adding numerous figures. He worked exclusively in Rome and by the end of his career was the head of a thriving workshop that included the Frenchman Hubert Robert (in Rome from 1754) and Panini's son Francesco Panini (b 1738).
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