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JORDAENS, Jacob
Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen).
Flemish painter, tapestry designer and draughtsman. In the context of 17th-century Flemish art, he emerges as a somewhat complicated figure. His oeuvre, the fruit of a continual artistic development, is characterized by great stylistic versatility, to which the length of his career contributed. His religious, mythological and historical representations evolved from the rhetorical prolixity of the Baroque into a vernacular, sometimes almost caricatural, formal idiom. The lack of idealistic treatment in his work is undoubtedly the factor that most removed Jordaens's art from that of his great Flemish contemporaries Rubens and van Dyck. Jordaens's officially commissioned works included many paintings in which the sublimity of the subject-matter clashed with the vulgarity of some of his figures. Unlike Rubens and van Dyck, both of whom were knighted in the course of their careers, Jordaens was, in fact, completely ignored by the courts of Spain and Brussels
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The Bean King af
c. 1655
Oil on canvas, 242 x 300 cm
Kunsthistorisches Museum, Vienna
Painting ID:: 7686
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The_Bean_King_af
c. 1655
Oil on canvas, 242 x 300 cm
Kunsthistorisches Museum, Vienna
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The Bean King (detail) af
c. 1655
Oil on canvas
Kunsthistorisches Museum, Vienna
Painting ID:: 7687
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The_Bean_King_(detail)_af
c. 1655
Oil on canvas
Kunsthistorisches Museum, Vienna
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The Bean King f
Oil on canvas
Staatliche Museen, Kassel
Painting ID:: 7688
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The_Bean_King_f
Oil on canvas
Staatliche Museen, Kassel
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The King Drinks s
Oil on canvas, 156 x 210 cm
Mus??es Royaux des Beaux-Arts, Brussels
Painting ID:: 7689
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The_King_Drinks_s
Oil on canvas, 156 x 210 cm
Mus??es Royaux des Beaux-Arts, Brussels
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The Bean King sf
c. 1638
Oil on canvas, 160 x 213 cm
The Hermitage, St. Petersburg
Painting ID:: 7690
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The_Bean_King__sf
c. 1638
Oil on canvas, 160 x 213 cm
The Hermitage, St. Petersburg
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JORDAENS,_Jacob
Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen).
Flemish painter, tapestry designer and draughtsman. In the context of 17th-century Flemish art, he emerges as a somewhat complicated figure. His oeuvre, the fruit of a continual artistic development, is characterized by great stylistic versatility, to which the length of his career contributed. His religious, mythological and historical representations evolved from the rhetorical prolixity of the Baroque into a vernacular, sometimes almost caricatural, formal idiom. The lack of idealistic treatment in his work is undoubtedly the factor that most removed Jordaens's art from that of his great Flemish contemporaries Rubens and van Dyck. Jordaens's officially commissioned works included many paintings in which the sublimity of the subject-matter clashed with the vulgarity of some of his figures. Unlike Rubens and van Dyck, both of whom were knighted in the course of their careers, Jordaens was, in fact, completely ignored by the courts of Spain and Brussels
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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