Oil Painting Artist::. JORDAENS, Jacob

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     JORDAENS, Jacob
    Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen). Flemish painter, tapestry designer and draughtsman. In the context of 17th-century Flemish art, he emerges as a somewhat complicated figure. His oeuvre, the fruit of a continual artistic development, is characterized by great stylistic versatility, to which the length of his career contributed. His religious, mythological and historical representations evolved from the rhetorical prolixity of the Baroque into a vernacular, sometimes almost caricatural, formal idiom. The lack of idealistic treatment in his work is undoubtedly the factor that most removed Jordaens's art from that of his great Flemish contemporaries Rubens and van Dyck. Jordaens's officially commissioned works included many paintings in which the sublimity of the subject-matter clashed with the vulgarity of some of his figures. Unlike Rubens and van Dyck, both of whom were knighted in the course of their careers, Jordaens was, in fact, completely ignored by the courts of Spain and Brussels

JORDAENS, Jacob Assumption of the Virgin d oil painting artist
 Click Image to Enlarge
Assumption of the Virgin d
Oil on canvas, 280 x 178 cm Museum voor Schone Kunsten, Ghent

     Painting ID::  7701
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Assumption_of_the_Virgin_d
Oil on canvas, 280 x 178 cm Museum voor Schone Kunsten, Ghent

JORDAENS, Jacob Portrait of a Young Married Couple dg oil painting artist
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Portrait of a Young Married Couple dg
1615-1620 Oil on panel Museum of Fine Arts, Boston

     Painting ID::  7702
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Portrait_of_a_Young_Married_Couple_dg
1615-1620 Oil on panel Museum of Fine Arts, Boston

JORDAENS, Jacob Christ Driving the Merchants from the Temple zg oil painting artist
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Christ Driving the Merchants from the Temple zg
c. 1650 Oil on canvas, 288 x 436 cm Mus??e du Louvre, Paris

     Painting ID::  7703
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Christ_Driving_the_Merchants_from_the_Temple_zg
c. 1650 Oil on canvas, 288 x 436 cm Mus??e du Louvre, Paris

JORDAENS, Jacob St Charles Cares for the Plague Victims of Milan s oil painting artist
 Click Image to Enlarge
St Charles Cares for the Plague Victims of Milan s
1655 Oil on canvas Sint-Jacobskerk, Antwerp

     Painting ID::  7704
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  St_Charles_Cares_for_the_Plague_Victims_of_Milan_s
1655 Oil on canvas Sint-Jacobskerk, Antwerp

JORDAENS, Jacob The Purification of the Temple (mk05) oil painting artist
 Click Image to Enlarge
The Purification of the Temple (mk05)
Canvas,113 1/2 x 171 1/2''(288 x 436 cm)Acquired for Louis XV in 1751 by the intervention of the painter Natoire INV

     Painting ID::  20553
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Purification_of_the_Temple_(mk05)
Canvas,113 1/2 x 171 1/2''(288 x 436 cm)Acquired for Louis XV in 1751 by the intervention of the painter Natoire INV

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     JORDAENS,_Jacob
    Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen). Flemish painter, tapestry designer and draughtsman. In the context of 17th-century Flemish art, he emerges as a somewhat complicated figure. His oeuvre, the fruit of a continual artistic development, is characterized by great stylistic versatility, to which the length of his career contributed. His religious, mythological and historical representations evolved from the rhetorical prolixity of the Baroque into a vernacular, sometimes almost caricatural, formal idiom. The lack of idealistic treatment in his work is undoubtedly the factor that most removed Jordaens's art from that of his great Flemish contemporaries Rubens and van Dyck. Jordaens's officially commissioned works included many paintings in which the sublimity of the subject-matter clashed with the vulgarity of some of his figures. Unlike Rubens and van Dyck, both of whom were knighted in the course of their careers, Jordaens was, in fact, completely ignored by the courts of Spain and Brussels

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