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Artist: Joaquin Sorolla
Joaquin Sorolla Two Sisters China oil painting reproduction

Painting ID::  61709
Two Sisters
mk275 1909 Oil on canvas 175 x 115 cm Art Institute of Chicago
 

Artist: Joaquin Sorolla
Joaquin Sorolla Walking the beach China oil painting reproduction

Painting ID::  61712
Walking the beach
mk275 1909 Oil on canvas 205 x 200 cm Art Institute of Chicago
 

Artist: Joaquin Sorolla
Joaquin Sorolla On the beach China oil painting reproduction

Painting ID::  61715
On the beach
mk275 1910 Oil on canvas 100 x 115 cm Art Museum St. Louis, Missouri
 

Artist: Joaquin Sorolla
Joaquin Sorolla Portrait of Antonia to sing the Queen in Europe China oil painting reproduction

Painting ID::  61856
Portrait of Antonia to sing the Queen in Europe
mk275 1908 Oil on canvas 150 x 118cm Mudd Resor Royar memorial hall
 

Artist: Pontormo
Pontormo Reported pregnancy plans China oil painting reproduction

Painting ID::  62033
Reported pregnancy plans
mk276 1526 frescos years Kaposi Chapel 250 x 110cm
 

Artist: William Hogarth
William Hogarth The woman clutching his heart China oil painting reproduction

Painting ID::  62170
The woman clutching his heart
mk279 Oil on canvas 100.4 x 126.5 1759 years
 

Artist: William Hogarth
William Hogarth Pharaoh's daughter China oil painting reproduction

Painting ID::  62171
Pharaoh's daughter
mk279 Oil on canvas 172.7 x 208.3cm 1746 years
 

Artist: Giovanni Battista Tiepolo
Giovanni Battista Tiepolo Mandolin played the young woman China oil painting reproduction

Painting ID::  62181
Mandolin played the young woman
mk280 Oil on canvas 92.1 x 74.9cm
 

Artist: Sandro Botticelli
Sandro Botticelli Judith Villa return China oil painting reproduction

Painting ID::  62203
Judith Villa return
mk281 Year 1469-1470
 

Artist: Sandro Botticelli
Sandro Botticelli Courage China oil painting reproduction

Painting ID::  62213
Courage
mk281 1470
 

Artist: GRECO, El
GRECO, El Penitent Magdalen China oil painting reproduction

Painting ID::  62342
Penitent Magdalen
118 x 105 cm Private collection Autograph version, signed 'dom?nikos theot?kopoulos epoiei'. It is a late composition of the artist, recalling the iconography of Titian. Author: GRECO, El Title: Penitent Magdalen , 1551-1600 , Spanish Form: painting , religious
 

Artist: Caravaggio
Caravaggio Magdalene China oil painting reproduction

Painting ID::  62386
Magdalene
122,5 x 98,5 cm Galleria Doria-Pamphili, Rome This picture and The Rest on the Flight into Egypt must have been painted around the same time, for the same girl sat for the Magdalene and the Madonna. On this occasion, however, there are none of the usual signs of a religious scene such as a halo. A young girl, seen from above, is seated on a low stool in one of Caravaggio's favourite cave-like settings, with a triangle of light high up on the wall behind her. Discarded jewellery - a string of pearls, clasps, a jar (perhaps holding precious ointment) - lies on the floor. The girl's hair is loose, as if it has just been washed. Her costume, consisting of a white-sleeved blouse, a yellow tunic and a flowery skirt, is rich. Bellori, who gives a careful description of this picture, which he came across in the collection of Prince Pamphilj, regards its title as an excuse; for him it is just a naturalistic portrayal of a pretty girl. This seems to show a willful failure to understand Caravaggio's intention or the wishes of the man who commissioned it, Monsignor Petrignani. The repentant Mary Magdalene, like the repentant Peter, was a favourite subject of Counter-Reformation art and poetry, which valued the visible expression of the state of contrition 'the gift of tears'. Caravaggio's heroine is sobbing silently to herself and a single tear falls down her cheek. She is, as it were, poised between her past life of luxury and the simple life she will embrace as one of Christ's most faithful followers. It is a sign of the painter's skill that he makes this inner conflict moving at the same time as he makes its representation delectable. Although nothing painted in the sixteenth century is as emotive as the statue in wood of the haggard saint carved by Donatello (c.1456-60), by the time Titian's bare-breasted Magdalene of the 1530s (Palazzo Pitti, Florence) had become the more modest and affecting Magdalene of the 1560s, there had been a move in religious sensibility towards the humble and pathetic, a change which thirty years later Caravaggio could take for granted
 

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