100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.

Search My Painting
Painting:: all landscape --> Style:: wood               BEST SELLER, MUST S@@
Prev  255  256  257  258  259  260  261  262  263  264  265  266  267  268  269  270  271  272  273  274  Next
Artist: Winslow Homer
Winslow Homer Northerly bluster China oil painting reproduction

Painting ID::  62770
Northerly bluster
mk285 Watercolor paper 1886 33.3 x 49.5 cm Fine Arts Museum of San Francisco
 

Artist: Winslow Homer
Winslow Homer A first Lenk Lake China oil painting reproduction

Painting ID::  62773
A first Lenk Lake
mk285 Watercolor, 1889 35.5 x 50.8 cm Boston, Museum of Art
 

Artist: Winslow Homer
Winslow Homer Florida Jungle China oil painting reproduction

Painting ID::  62791
Florida Jungle
mk285 1904 Watercolor 34.9 x 49.8 cm Nian
 

Artist: Winslow Homer
Winslow Homer Fishing China oil painting reproduction

Painting ID::  62792
Fishing
mk285 1904 Watercolor Nian
 

Artist: Joseph Anton Koch
Joseph Anton Koch Mountain Scene China oil painting reproduction

Painting ID::  62822
Mountain Scene
110 x 161 cm Wallraf-Richartz Museum, Cologne A group of German painters based in Rome in the early nineteenth century had a most decisive effect on the development of German art. The foremost of these artists was Joseph Anton Koch. He was born in Obergiblen in the Tyrol in 1768 but lived in Rome from spring 1795 to his death in 1839. Here he painted the 'heroic landscapes' which form the major part of his work. His Mountain scene of 1796, one of his earliest paintings, shows his attempt to continue the tradition of seventeenth-century landscape painting and to relate the heroic grandeur of nature to the human life that is dependent on it
 

Artist: Jakob Philipp Hackert
Jakob Philipp Hackert Autumn China oil painting reproduction

Painting ID::  62839
Autumn
1784 Oil on canvas, 96,5 x 64 cm Wallraf-Richartz Museum, Cologne The painting depicts a grape harvest and the view of Sorrento, the Gulf of Naples and the islands. Artist: HACKERT, Jacob Philipp Title: Autumn Date: 1751-1800 German , painting : landscape
 

Artist: Friedrich Johann Overbeck
Friedrich Johann Overbeck The Cross in the Mountains China oil painting reproduction

Painting ID::  62852
The Cross in the Mountains
1812 Oil on canvas, 45 x 37 cm Museum Kunst Palast, Desseldorf Visions of Gothic architecture appear regularly in the artist's work from Winter Landscape with Church (1811, Dortmund), rising like a man-made enigma in a mysterious landscape scenario. An example is provided by The Cross in the Mountains, which can be dated fairly confidently to 1812, and which has long been viewed as a further development of the Tetschen Altar. The rough and rocky terrain of the foreground surrounds a spring, behind which, within an indeterminate space, rise a dark wall of fir trees and the gabled faeade of a Gothic church, reduced to a shadowy silhouette. A wayside calvary marks the border between foreground and back- ground. The logic of space and time seems to have been abandoned in this painting in favour of the unreality of a dream. Artist: FRIEDRICH, Caspar David Title: The Cross in the Mountains , painting Date: 1801-1850 German : landscape
 

Artist: Caspar David Friedrich
Caspar David Friedrich The Watzmann China oil painting reproduction

Painting ID::  62856
The Watzmann
1824-25 Oil on canvas, 135 x 170 cm Nationalgalerie, Berlin Throughout his life, Friedrich demonstrated himself to be closely attached to his home. His numerous trips and walking tours to central Germany, Silesia, Bohemia, Greifswald, Neubrandenburg and Regen never actually took him very far away. He never visited southern Germany, for example, and his painting of The Watzmann - a mountain near Berchtesgaden, portrayed here rising like a Gothic cathedral in its stone majesty - was inspired by a watercolour by his pupil August Heinrich. It also rivalled a painting by Adrian Ludwig Richter of the same title, which went on show in Dresden in 1824 and was intended to back up Richter's application for the professorship in landscape painting at the Academy, the post to which Friedrich also aspired. Despite its apparent fidelity to nature, the painting reveals a somewhat fantastical element in its mixture of different geological formations and its unnatural ratios of scale. Artist: FRIEDRICH, Caspar David Title: The Watzmann , painting Date: 1801-1850 German : landscape
 

Artist: Karl Blechen
Karl Blechen Building the Devil's Bridge China oil painting reproduction

Painting ID::  62877
Building the Devil's Bridge
1833 Oil on canvas, cm Neue Pinakothek, Munich At first sight the picture seems full of mystery, indeed it creates a sense of unease. The very title seems designed to evoke a shudder, and this impression is strengthened by the darkening evening with its long shadows, and above all, the building crane, which looks like a gallows. The viewer may well be attracted to the Romantic mood of the painting, but the true message is clear, and it is rather sombre. Man is bringing even the most distant and seemingly inaccessible regions under control through civilization and technical advance, and he is mastering the aspects of nature that have till now seemed unapproachable and fearful. But there is also allegory here - it is in the reference to transience. The new bridge that is being built will one day be as crumbling as the old one is now. Artist: BLECHEN, Karl Title: Building the Devil's Bridge , painting Date: 1801-1850 German : landscape
 

Artist: Waldemar Rosler
Waldemar Rosler Landscape in lights fields in the winter China oil painting reproduction

Painting ID::  62894
Landscape in lights fields in the winter
Landscape in lights fields in the winter mk184 1912 oils on Lwd 66x95cm
 

Artist: RUBENS, Pieter Pauwel
RUBENS, Pieter Pauwel Summer China oil painting reproduction

Painting ID::  63045
Summer
142,8 x 222,8 cm Royal Collection, Windsor The painting is a companion scene to Winter (also in the Royal Collection), although it was only when both pictures were in the collection of Frederick, Prince of Wales, that they seem to have been treated as a pair. X-ray examination reveals that the priming on all the additional pieces of canvas is identical, but differs from that of the central section of this work. It appears that the design on the initial piece of canvas had not been fully resolved in all respects by the time the extra portions were added. The join on the left is on a line with the tall windswept trees, which seem to have been painted over the sky and therefore may be regarded as an adaptation of the original design, which most probably incorporated a clear view through to the horizon. On the right the design has been more radically changed as a result of the addition. A steep bank (still visible to the naked eye) originally closed the composition, but this was painted out so that the horizon could be extended in the upper half and a further group of farm buildings introduced in the middle distance. The addition along the lower edge allowed for the horse and cart in the immediate foreground. In effect, if the additions are discounted, the original composition remains an entity in its own right, but the changes alter the dynamics of the painting, placing greater emphasis on the peasants wending their way to market. The composition of Summer is distinguished. There is an emphasis on contrasting diagonals that reinforces the sense of movement begun by the figures in the foreground. The eye is plunged into the distance across a glorious landscape that is positively pantheistic in its celebration of nature (note the cow being mounted in the centre of the composition). Regardless of differences in scale and style, a telling comparison can be made between Summer and The Flemish Fair by Jan Brueghel the Elder. Interestingly, it has been suggested that the composition of Summer depends upon a lost painting by Pieter Bruegel the Elder entitled On the Way to Market, only known today through an anonymous drawn copy in the Staatliche Graphische Sammlung, Munich. Artist: RUBENS, Pieter Pauwel Painting Title: Summer , 1601-1650 Painting Style: Flemish , , landscape
 

Artist: KEIRINCKX, Alexander
KEIRINCKX, Alexander Forest Scene - Oil on oak China oil painting reproduction

Painting ID::  63053
Forest Scene - Oil on oak
56,5 x 87,5 cm National Gallery, Prague Artist: KEIRINCKX, Alexander Painting Title: Forest Scene , 1601-1650 Painting Style: Flemish , , landscape
 

Prev  255  256  257  258  259  260  261  262  263  264  265  266  267  268  269  270  271  272  273  274  Next
Painting:: landscape --> Style:: wood
Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction on canvas Chinese Oil Painting Wholesale USA Oil Painting

http://www.chinaoilpainting.com

China Oil Painting Studio Team