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Original: 1477 Tempera oan pine panel, 54,5 x 93,5 cm Museum of Fine Arts, Budapest According to several scholars, Friedrich Pacher was the famous Michael Pacher's relative and collaborator. His style developed under the influence of Michael. This panel is one half of a predella which consisted of two parts for the representation of the most highly revered saints of the Franciscan order. The other side also depicts Franciscan saints. This panel adorned the lower, not very clearly visible, subordinate addition to a major altarpiece, hence the modest colour scheme content to forgo variety. Gaunt faces with strong cheek-bones, receding chins and thin lips are frequent in the master's oeuvre. The minutely elaborate broken folds, particularly at the elbows of sleeves, reveal the important part of sculpture in the activities of Michael Pacher, the most outstanding member of the studio, and also the deep absorption of sculptural forms in his style of far-reaching influence. The text giving the names of the donors and the date in fine Gothic minuscules occupies an outstanding place in the lower image field.Artist:PACHER, Friedrich Title: St Anthony of Padua and St Francis of Assisi Painted in 1451-1500 School
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