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Master of the Legend of St. Lucy

(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
De_liefdadigheid_van_de_H._Nicolaas_als_jongeman.
1486-1493 _ Medium_oil_on_oak_panel _ Dimensions_47_X_54.3_cm_(18.5_X_21.4_in) _ cjr

Master of the Legend of St. Lucy De liefdadigheid van de H. Nicolaas als jongeman. oil painting on canvas

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Master_of_the_Legend_of_St._Lucy
De liefdadigheid van de H. Nicolaas als jongeman.
1486-1493 Medium oil on oak panel Dimensions 47 X 54.3 cm (18.5 X 21.4 in) cjr

Painting ID::  92884

INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469

    1486-1493 Medium oil on oak panel Dimensions 47 X 54.3 cm (18.5 X 21.4 in) cjr
Master of the Legend of St. Lucy
(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.
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